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Driven by Duty (Taken in RL, & RP)

04/25/2024 10:39 PM 

hallucinate

Summary: AU in that Etain told Darman about the pregnancy sooner.     Whoever said your life flashes before your eyes, before you die, was wrong. The thought passed briefly through Etain Tur-Mukan’s mind as she attempted to nudge herself a few centimeters to the left without falling over completely. Somehow, despite the fact that her body had gone numb and stiff from the cold of the Telosian nights and wintery days long ago, she was still feeling a little bit of pain from the metal fragment, part of the downed larty’s door she’d taken refuge in, digging into her shoulder blades. She had long stopped moving if she could help it, sharp pain lancing through her body every time she moved, and had stopped using the Force to scan for threats long ago. She also had no idea if the Redeemer was still in orbit or not, she had lost contact with the Redeemer days ago, when the attempted invasion of the Separatist-held city went very, very wrong in the matter of seconds. She didn’t even know how many standard days ago the resulting devastation had been, she had drifted in and out of consciousness since then. I know Intel screws up, Dar, but really? Do they screw up this badly? General Grievous. No one had warned her, nor the Jedi Knight accompanying her and the troops, that Grievous would be here as well. He’d made quick work of the Knight accompanying them, and she had a few precious hours to draw him away from the troops before he caught up to her. She’d given parting orders to the commander in charge – continue the campaign without me and alert the Redeemer. Do not come after me – and began to draw Grievous away from the troops. And her plan worked. Grievous followed her to the crash site where the Separatists had shot down two larties earlier that week. Where she knew there would be no men for Grievous to hurt.  But he nearly killed her in the process. Even days later – she couldn’t quite remember the number of sunrises she’d counted anymore – she was mildly surprised that she had woken up at all after Grievous finally threw her into the air, in the direction of the crashed larty that she now lay against. Her lightsabers were long gone, her wounds from Grievous still untreated and undoubtedly infected by now, there was a dull throb in the back of her skull, her face and hands numbed from the cold, skin tight with barely healed injuries, but she was still breathing. Somehow. In another life, she may have seen it as a sign from the Force, but now, after having lost her faith and trust in the only life she had ever known on Qiilura…she wasn’t so sure. Force, I miss you, Darman. I know we have our duties, but I’m sorry I didn’t get to see you one last time. Etain closed her eyes, shifting her thoughts back to Darman and Kad. Darman… she couldn’t tell where he was at the moment, just that he was alert and his attention was narrowed and focused – on a mission then. She withdrew her awareness, not wanting to disturb him. She could still feel Kad in the Force, through the bond that she’d had with him since his birth. Kad was content, and she hoped he still remembered her and Darman despite the little time the two got with him. Telling Darman that night about her pregnancy, when Kal introduced the baby to Omega Squad, had been absolutely terrifying, and it had taken a few more days for the two to reconcile afterwards. During the reconciliation, she had mentioned leaving the Jedi Order, once the war was over, so they could be a family. Darman had started imagining a future there, for the three of them. I’m sorry, Dar, that we won’t be able to get that particular future now. Etain let out a slow exhale, blinking when she slowly realized that the blurred gray-blue line she’d been staring at, for what felt like hours now, was actually the craggy tree line as the sun rose yet again. Another morning. She’d lived through another night. She closed her eyes, a twinge of despair fluttering in her stomach as she slowly realized she had already lost feeling in her fingers and limbs, and could not recall how long it had been like that. Not long now. She let out another slow exhale, watching the white puff of air dissipate into the skies. Her ribs were aching with each breath, she could still feel that. She closed her eyes, slowing her breaths to lessen the dulling pain. Dar. She could sense him again, still focused and alert on his task at hand. She tried not to distract him in those moments, but she also took a modicum of comfort in sensing his familiar presence. She then tried to withdraw, to let him work undisturbed, but his presence lingered, a calm and steady reassurance that she leaned against for the briefest of seconds before withdrawing her awareness further. But her concentration failed a few seconds later, she felt worn down from fatigue and injury.  He felt close enough now, actually, that she could almost imagine that he was there, on Telos Six, with his squad. He’d move carefully and purposefully through the trees, unhindered and not slowed down by bothersome Jedi trying to keep up with him. Maybe, he was listening to Fi’s wisecracks in the background comm chatter. Fi, who would be trying to spark a reaction from Atin while also providing a running commentary of any gleaned intelligence. Niner, she knew, would be reminding them to stay focused on the objective that Master Zey had given them prior to their deployment.  A spike of alertness from Darman brought her wandering thoughts back to reality. He’d spotted something. Etain tried to withdraw her awareness again, as to not distract him. He’d told her once, that he could sense when she was near him. She let a small exhale when her concentration slipped again, and she remained still, unable to summon the focus necessary for a complete withdrawal. Her eyes fluttered closed as she tried to once again pull back her awareness, as to not distract him. The resulting darkness was more…alluring, than she ever suspected, pulling her into its depths even as she clung to the threads of her bonds. Those she could not let go just yet.  There is no death, there is the Force. Alertness shifted to determination, and his presence grew stronger. She wasn’t sure if she imagined the sound of soft crunching of dirt, twigs and leaves that was slowly coming close to her. She heard a soft clicking, one she’d heard many times as the men removed or sealed their helmets, but her eyelids felt too heavy for her to check. She tried to send a little reassurance to both Darman and Kad even as she felt her consciousness ebb from her grasp. The last thing she thought she heard was her name in a familiar whisper. A whisper that did not stop.

Driven by Duty (Taken in RL, & RP)

04/25/2024 10:05 PM 

Memorabilia

Notes: SEE END NOTES FOR TRIGGER WARNINGS  Poems and excerpts taken from (in order of appearance):Memorabilia, Deborah TallLate summer after a panic attack, Ada LimónFree fall, William Goldingfrom Salt, David HarsentFrom Please bury me in this, Allison Bennis White Happy reading!❤️   Memorabilia; objects that stir recollection, valued or collected for their association with a particular field, interest or memory.   Let absence be Altogether, but briefly, devastating.   DEVIL   What if I want to go devil instead? Bow down to the madness that makes me.     “Morning.” Frank’s voice brings the images alive. Fire licks at wooden walls, grime-stained windows, bolted doors and two cots, lying on opposites sides of a cramped room. Oatmeal rips through a picture of scents, a dragging sweetness that feels dense when he inhales. Packed. It doesn’t push the other smells away as much as it dominates them, mixes unpleasantly. Sitting up require less effort than before. The smell of food isn’t as nauseating and neither is the pain - controlled for the time being. Still, muscles shake, quake as if tearing away from his skeleton, trying to find other refuge than his skin. His head hangs off his neck like a heavy weight, putting pressure in his vertebrae and collarbones. “Morning,” he manages back. Frank sits down but doesn’t reach to give him the bowl of oatmeal, neither does he say anything else. The routine is expected and if somewhat of a comfort. He sighs softly. “I’m Matt. You’re Frank. We’re in your cabin. It’s, uh, Sunday? November.” Frank’s calloused, thick palms find his, steadies his right hand before handing him the hot oatmeal. “Didn’t call me Fred this time, at least.” He grumbles under his breath and Matt isn’t surprised at the taste of coffee that comes from his lips and tongue, released into the air. Settles back against the headboard and cradles the warm bowl close, the cold morning dew dripping by the window a sonorous facsimile of a heartbeat. Slow and almost in tandem with Frank’s. “Maybe I thought you looked like a Fred.” Frank shakes his head with a huff, mumbles a right under his breath before- “Eat.” Matt does. The ringing in his ear an untraceable vibration that fixates over his right eardrum, poking it with needles. It was usually worse at night. “Are you going to tell me anything today?” If Matthew is like a sponge - absorbing everything and anything around him at all times until he’s spilling over, Frank is rock and concrete. Impenetrable, undisturbed, insusceptible. He gives nothing away - as if he kept the world at bay. Completely unapproachable at times. Embers and fire burn the world bright but Frank Castle was a blotch of ink dripping in the middle of his senses. A stain that stuck. The first heartbeat he looked for when he woke up. The only heartbeat he remembered properly. Castle shrugs, like he had all the days before. “Have nothing to say.” Lie. It’s barely there, not exactly a skip. His pulse speeds for not much more than a second and then settles back down. Red - Matt, Matt, his name is Matt - takes another sip of his oatmeal, slowly processing the taste of the food, the lingering taste of the pan it was prepared in, the old spoon that mixed it. He had time, the last few days, to get himself together, if only just. Stick’s teachings, in return, are a whispered chant in his head whenever he interacts with the strange man. So far, Frank looks like an ally. That could change and Matt tries to create contingencies - where will he run? Where exactly are the traps he heard the night before? How will he survive if he doesn’t know... Well, most of everything about his own life. “And about yourself?” He asks instead, sighing into another spoonful of oatmeal. “You’re military, right? Maybe former.” Tilts his head sharply to the side, listens to the unshakable, relentless heartbeat painting the room red and black. “You have an arrow scar in your shoulder. Are you with the Chaste?” “Marines. The hell is Chaste?” Matt’s lips press together. He thought he had mentioned them before. He had, hadn’t he? Either Frank is an ally or he’s not and if he’s not... Well, there’s a good chance he’d already know what Chaste is. It’s the only answer Matt can find that makes sense - that that’s how he got hurt, working with Stick and the others. But the marine’s heartbeat doesn’t skip nor does it speeds up in that characteristic way. Frank scoffs. Probably at his silence. “Yeah.” But he needs to be sure. “Are you with the Hand?” “I’m what?” Ignores his voice to listen hard to the beating, living thing hiding beneath marred scars and skin tissue. Breastbone and ribs. Matt breathes a bit more easily, if only for a little. Because if Frank isn’t either of them, then how did he find him? How did he know him? How did he know, if partially, about Matt’s senses and skills? None of it made any sense. Frustration rises and swells like a furious ocean, tidal waves rising and rising in height until they reach the skyline. “How do you know me?” “Tell you what, Red,” he drops his empty bowl in the fold-out table. The loud rattle of spoon against porcelain makes him flinch. “You’re a pain in the ass of the highest degree.” He tilts his head, listens closely. “But still, I’m here,” Matt begins, carefully. “Do you want something from me?” Frank shrugs, a heavy exhale getting lost in the distance between them, and so do all of its meanings. “Want you to shut up and eat.” Not working. Not again. “Do I have no one else to get back to?” The bigger man’s heartbeat throbs scarcely faster before it’s forced back down to a resting rhythm. Frank watches him. “Not for now,” and it’s not a lie. Not one Matt can detect anyway, and if there’s one thing he learned about Frank since he woke up in the cabin with his head in bandages, is that he keeps to his promises. The good and the bad. So Matt settles, for there isn’t much else he can do and the energy is already beginning to seep right out of him. He finishes the small bowl of food and takes his medicine. Tries to unlock all the tense muscles bunching under his skin and allows Stick’s voice to chant through his head: mind controls the body, body controls our enemies. Trustworthy or not, Frank is clearly not willing to let him go. If Stick’s alive, certainly he’ll find Matt. Trees may offer cover in a sighted perspective, but doesn’t mean anything for blind people like them. And even if Frank doesn’t know, Matt is likely working for Stick and the Chaste. They had to fight the war, after all. And why else would he get in trouble? Come on, Matty, get to work. Dad tells him. Get to work. He has to get back to his feet. He will. But for now, his head throbs painfully like his brain is threatening to burst out of his skull and the oatmeal plays loops around his stomach. Frank gives him a bucket when he throws up.     The first time Matthew notices something is wrong is when he’s sitting in the bathroom, taking a sponge bath. Frank helps him with the basics before leaving him to the little privacy he had, sitting beside the half-closed door. He’s glad for the shower curtains. Even a few paces away, Frank’s heartbeat illuminated the whole cramped room with bright spots of sound, the vibrations traveling like tendrils underneath the floorboards and deep into the earth underneath. Echoed strangely against the tiles, but loud enough that finding the offered hygiene products wasn’t a hardship, even with his building migraine. It starts as a feeling - a certainty that he’s not alone that he quickly abandons. Frank is on the other side of the door and his senses are haywire, sensitive to every input his fatigued brain can’t process properly beyond threat and safe. He leans back, careful of the plastic wrapping around his left thigh and remembering Frank’s orders not to get his hair wet. It quickly morphs to unease. It begins like a concept and then evolves. Swells and thickens into something closer to dread - into his heart going faster, his breathing pattern changing, choppy inhales and shallow exhales. He isn’t sure what it is at first, the puzzle pieces are scrambled and he’s too exhausted to put them together properly. There’s a presence that doesn’t make sense, not corporeal enough that he can get a read on it with his senses. But he knows it’s there. Even if the sound waves from their heartbeats and breathing betrayed nothing. “Do you reckon Stick would be disappointed?” He startled badly enough that the soap slips from his hand and slides across the floor towards the drain. Aghast and more than a little alarmed, he abandons the crawling sensation across his skin as the soap suds slid across the expanse of his body to try and make sense of the sound. It felt like a thought. A thought that came too loud, enough that it felt like it was outside of his body, perched right by his right ear. His hand closes on the side of the empty tub, nails digging and slipping at the humid, cold porcelain. “Who-” but there’s no heartbeat, no sound beyond the voice. Until there is. Its heartbeat mimics his own. Sounds exactly the same in its cadence, but the thing, whatever it is, doesn’t carry a smell or heat like all living things do. It’s almost apart from the world on fire, a tear on the fabric of reality he put together with his senses. Something that looked like a man, except for the thick skin and the small horns protruding from its smooth head. “You’re trusting him, Castle will kill you the moment he has the chance, it’s what he does.” The thing shrugs, a smile cutting through its alien face. “You’re not here,” he whispers, as if the simple statement would rip the thing apart, destroy it, send it away. “You keep your enemies close to watch them, take advantage of them. Not so they can captivate you. ” “I’m hallucinating,” he whispers again, nails now digging into his knees. And when did he move his hands? When did he do that? There’s a flicker of time between one second and the other that is missing. Like all the days previous to waking up in Frank’s bed and crawling to this place. “You’re not real.” “Huh, real enough to know you’re easy prey.” The demon-like hallucination smiles big at him. “What are you going to do about that?” The devil, he thinks. This is the devil. “Did you miss me already, Matt?”     Red takes his sweet time in the tub. He should’ve been done with it long ago and Frank - well, he should’ve done it himself. He doesn’t doubt for a second Red could be already plotting some half-assed escape plan and stalling for time in the bathroom. He knocks out of courtesy more than to give him privacy - had seen enough of Red in all states of undress the first three days he had been there. “Red?” No response. Frank doesn’t wait any more than that. In his head, he runs through the list once again: bleeding from nose, ears or eyes - brain hemorrhage. Paralysis, seizure - swelling. Fever, delirium, pus - infection. Runs over it again so it doesn’t fade from his memory - not as pristine as he’d like it to be, although he never got to Red’s situation either. Names and meanings escape him sometimes, is all. Red looks physically well when Frank walks through the door, combat boots squeaking against the tiles. He squints at him, at his nose, eyes, ear (clean), his bandages (dry), his plastic wrapped wounds (pink and healthy). He checks the place out of habit, looking for incongruities hiding between fresh, sterilized towels and semi-transparent shower curtains. “Red,” he calls out again but the kid doesn’t answer, and Frank can’t say he’s exactly surprised. Had happened a few times already, the little shutdowns. Which is why he’s surprised when Red speaks. “Is there-” the redhead swallows, fingernails digging into his knees, his left leg stretched across the empty tub to accommodate the pain of the gunshot wound. “Is there anyone else here?” “Jus’ us, Red,” and he did a perimeter check minutes ago. His eyebrows furrow down to meet his eyes and Red twitches, wonders if he senses the movement somehow. “Yeah. Yer senses going a bit haywire?” Matt startles out of a sudden, one hand closing a tight fist around his knee and the other, the right one, spasming as it tried to do the same. “Can you take me outside, please?” Voice comes as the afterthought of a whisper, barely there at all. But it echoes around the cramped space and makes its path towards Frank’s eardrums. He sighs sharply but doesn’t mention anything else. Mechanically helps Red out of the bathtub and into the towels. Grabbing the folded clothes Frank had separated for him to use, slightly too big in places. Doesn’t need the a**hole’s fancy senses to know something’s up but he won’t ask for now and he’s quite sure Red won’t volunteer the information either - wiped out brain or not. The thought sits heavy in his stomach, a weight that he feels physically when he moves to the kitchen. If the memory loss is caused by brain damage, Curt says, the likelihood of Red ever regaining them is extremely small, specially considering the type of first care he received. There are other options to what was messing up his head, but for now, there was simply no way to tell. “You remember anything else?” He asks from there, fetching the wheeling chair he had stolen from the Costas medical facility the week before. The Lieutenant doesn’t give Matthew time to deliberate, helping him up and into the chair, careful of his injured head, belly and leg. He isn’t surprised when- “I don’t need that.” “I didn’t ask. Sit down.” “I’m perfectly capable of-” “But you won’t.”  He cuts off quickly, adjusting the arm support and adjusting the wheel lock before wheeling Murdock towards the front door. “Not yet, at least.” Murdock twitches, impatience making lines like riverbanks form around his youthful face, but chooses wisely not to start a discussion. He’s been picking his fights, since he realized Frank was just as stubborn as him. He repeats his question and watches Red’s sigh raise a condensation fog in the air, following its swirls through the cold morning air. “Just bits and pieces,” Murdock eventually answers, licking his lips. “It comes and goes.” Frank grunts in response and doesn’t press the matter; but he does help the redhead sit in the steps like a few nights before. To fight. For the war. Sh*t. Of all the f***ed up things. He shakes his head to himself, not enough of a movement that drags attention from Red, who seems content in tilting his head back towards the cloudy sky above the high trees. Won’t think about all he’s learned because they’re not part of the mission, not now. He’ll get the kid better, get him back to his life. Maybe go to the orphanage, ask some questions, start digging. But until then, he sits in the cabin steps with the Devil of Hell’s Kitchen by his side, hugging his knees against the coming cold. “Stick taught me knives. Father Lantom and the... the nun called the cops. I got into middle school. Had a crush on Ian from History class. Dad hates Mrs. Hernandez Bakery’s apple pie.” The messy retelling doesn’t phase him but brings a flashback of their own - his head had processed information similarly, back then, the scar of the bullet just barely closed. His brain had latched to their laughter but he couldn’t remember if the plates made it to the sink. He remembers Lisa’s little voice begging him to read her her favorite book, please Daddy, please, but he couldn’t for the life of him remember the clothes Frankie wore that day. Maria’s voice played in a loop of hey, sleepyhead but he can’t remember how she sounded when she said his name with that fondly exasperated look. Tomorrow, baby. I’ll read it to you tomorrow, I promise. “My wife, she, uh,” swallows the clotted knot of uncertainty in his throat and blinks against the moisture collecting around his eyelids. “She used to try some fancy dessert recipes, from time to time.” He laughs suddenly and brightly, remembering her pout when her chocolate muffins ended up burned for the third time that month and her strawberry cheesecake went wrong and liquid. Red looks surprised at him and the anonymity is somehow... comforting. He doesn’t remember the chaos Frank unleashed in the city, doesn’t remember the headlines and the trial and much less how Frank bounced a bullet off his helmet years ago. They would’ve never sat like this, talked like this if Red hadn’t been brained in that warehouse a little over a week before. “She was a good cook, but her desserts were bad, man. She was real terrible at it.” Red chuckles softly and deja-vu creeps over his skin like a thousand ants. It’s almost a do-over of that night in the graveyard. “The kids tried to be nice, y’know? They’d put on this face, all wide-eyed like it was the most delicious thing they’d ever eaten. Lisa, my baby girl, she was good, Red. Sometimes she fooled even me. But Frankie, my son, he, he was horrible at it, you could see it all over his face. He used to say that he wanted to be a chef when he grew up,” Murdock’s eyebrows go up and Frank scoffs. “I know, right. He’d say he wanted to be like the TV shows.” Lisa was a good sister. She’d taste every crazy concoction Frankie came up with - even mango pancakes, once, which made her sick, and she wouldn’t let Frank or Maria tell Junior about it. She’d always make some ridiculously funny accents when she was playing the food taster, wearing those little bracelets she used to make with her best friend (what was her name? Natalie?). Frank tries to chuckle at the memory but it comes out a rasp of breath, his lungs tearing right off of him. She had been wearing one of those. One of the bracelets written LISA in bold orange letters. It was her favorite color since she was about the height of Frank’s knee. Remembers seeing it stained deep red when he cradled her in his lap. Red’s voice brings him back to the porch, away from the park and Lisa. “What happened?” Scary, how intuitive the kid was. Maybe it had something to do with his senses, but Frank isn’t that sure. He hadn’t thought much of him at first, back then. Thought he was impulsive, combustive and too naive. And then he met him again, wearing crisp but cheap suits and red shades and saw that spark of smart he tried to hide. Frank doesn’t doubt that, should he have been more present in that trial, he’d probably have managed to get the not guilty verdict, somehow. Frank’s silence must be answer enough for Red soon turns his face away in respect. Maybe he sense it somehow; the thick knot tightening on Frank’s throat, the stinging at the corner of his eyes and a moisture he wasn’t that sure he could blame on the wind. “I wanted to be a lawyer,” Murdock offers, his head twitches to the side subtly before coming back to the conversation. Frank catches himself wondering just how far those ears of his went. “when I was a kid.” He finishes softly, extending his injured leg with a certain amount of effort before all air left his lungs in a rush. Ain’t sure if it’s Frank Jr’s ghost hanging over them, close enough that Frank swears he could smell that God awful shampoo he liked only because it came with Captain America’s face plastered on it but actually had a terrible scent. Maybe it’s ‘cause Red is sitting there with barely any memories left in that f***ed up head of his and remembering being a kid dreaming about being a lawyer, not knowing he made it. Against a whole sh*t ton of odds. “You are.” he blurts out. Red turns to him, his whole body still, eyes wide. “What?” “You’re a lawyer,” Frank shrugs at the sudden rush of breath that leaves Red, the confusion turning into awe. Frank resists the urge to look away from the precious turn of his lips. “Good one too, when you wanna be.” A breathy chuckle graces his ears and Frank finally turns away, a small smile in his face mirroring Red’s lips. He waits for questions he’s sure Red made to himself a thousand times the last few days: why is he not a hospital, where are his friends, why didn’t they come looking, why, why, why. But Murdock doesn’t. Just holds his own knees closer with that dreamy little smile upturning his lips, pulling at a long scabbed over cut by his chin. Frank helps him inside when the exhaustion kicks in, once again, and leads him to the cot.     Where did you go? An angry voice close to his face. I can’t do this alone. I can’t take another step. Soft, long hands and arms circling his shoulders. Was it all a lie? Salt and moisture in the air (tears), the scent of his own blood. You’re just one bad day away- Chains pressing him down, hands on his chin. Where did you go, Matt? He wakes up with the whisper a burn bright-hot spot of pain in his chest - not one from any voice that he can remember, but familiar all the same. Familiar enough that something clogs his throat, chokes up his airways. Every attempt at an inhale stops just short of completely cutting off his oxygen, the burn in his chest spreads. Matt blinks away the tears in his eyes - where did it come from? Tries to orient himself in the space he’s in - where? He didn’t know these sheets, didn’t recognize these walls, these- The smell. He recognizes it. Antiseptic, coffee, gunpowder. The fabric doesn’t feel as odd, once he runs his hands through it. It’s another one, but not unfamiliar. Frank changed the sheets again. His heart pounds faster against his chest. Panic brews like a tight boiling-hot coil in his chest - he suddenly feels unsafe inside the room, the cabin walls the body of trees and earth surrounding them from all sides. There’s something he has to do, somewhere he needs to be and Matt can’t for the life of him figure out what or where. A shuddery breath leaves through his parted, parched lips. Feels the skin of his forearms cool off where it spills - sharp like a whirlwind for his oversensitive sense of touch. “Where did you go, indeed?” The Intruder, as Matt had taken to calling him, asked softly. His presence is accompanied by a excruciating ache that manifests itself like a weight more than the agony it really is when it spreads at the edges of his fracture, following the lines connected by wire. He doesn’t need to concentrate to hear bone grind against metal. “You’re not in Hell’s Kitchen, but that’s about as far as you know.” He doesn’t answer. If he ignores him, maybe... “Oh, well now, that’s just desperate.” His teeth grind together. The pull of muscle and jaw sharpens the pain, tendrils of it reaching out to take over the whole right side of his head. Matt wonders if this is what losing your mind feels like. A steady, perfectly natural-feel of circling down the drain. Almost like it’s supposed to happen, almost like he deserved it, maybe. “I suppose you do, but I might be biased.” The Intruder’s voice is oddly detached from where Matt senses its surreal body, the weird texture of its skin, almost like leather. The protruding horns in his skull. As for him, his own skull felt the same - broken bone oddly loose when he follows the line of sutures coming from his temple to an inch past the top of his ear. The creature shifts, his body something like red smoke. “Who am I, again?” The devil. He’s ought to be. Grandmother did always say Murdock boys had the devil in them. How ironic that this is how Matt remembers this - with a hallucination probing at the soft, damaged parts of his brain. The thing laughs, the sound doesn’t rebound, doesn’t act like echolocation like a real one usually would for his hearing. At the proof of it, of the unreality, and trapped in the room with it, Matt attempts burrowing further into his sheets, nose dipping into the fabric and looking for something real - coffee, gunpowder, antiseptic, soap, skin musk. “Are you trying to hide from me? Do you reckon it’ll help?” No. It can’t hurt to try. The Intruder shifts, a smoke trail left behind. The impression of lips close to his ear. “I’m in your head.” “Then get out of it.” Matt misses hours before, when it was only a dripping sound and an uncommon stench. One he became aware of when Frank said he wasn’t smelling anything. He thought perhaps it came from the forest, but further search led to nowhere. The smell didn’t come from anywhere physical, neither did the sound. It echoed just at the shell of his right ear. Frank’s heartbeat had betrayed slight unease and, for his sake, Matt mentioned something about being tired and had retired to his cot. “That wouldn’t be any fun.” “Shut up.” The dripping sound comes back, just around the shell of his ear. Works like an echo of the Intruder’s words. His skin the texture of leather and spandex and something inhuman, almost alive. He sits up suddenly, muscles pulling abruptly under his skin, tightening worryingly at his shoulders where they bunch up to cover his ears. He cowers to a corner, knees to his chest. Attempts to find Frank’s pulse nearby, eyes shut tight together as to ignore the very real breathing that he can feel against his cheek, a predator’s maws ready to attack. No matter how much he tries to work through the sounds, he’s hindered in his efforts. His own heartbeat too loud to properly allow him the focus, hammering and vibrating his eardrums. Only realizes he’s digging his fingernails into his knees when something wet and warm touches the palm of his hand. “What was that song? The one Dad liked?” Go away, he wants to say. Needs to say it, why can’t he say it? His ability to speak was locked up somewhere deep and Matt couldn’t reach it. Couldn’t find it, no matter how much he tried or how much the muscles of his neck worked against the knot tying his throat up. “ When I was fast asleep she threw her arms around my neck.” He clutches at his ears, presses his back against the corner of the bed, eyes shut together. But it doesn’t muffle the Intruder’s voice, neither does it stop him from singing. Strength leaves him. Matthew lets his arms fall to the sides, eyes vacant and searching the opposite wall. “ And then began to weep.” “S-stop,” his voice is stubborn, it struggles to fully leave him, sinks its nails in his tongue and refuses to be let out. “S-s-stop, stop.” It’s wrong. He isn’t sure what, but it’s wrong. Dad never liked that song. Dad liked weird country music and rock. It’s wrong, it’s all wrong, and he needs it to stop. “ She wept, she cried, she tore her hair, ah, me, what could I do?” Hands come up to his ears against and Red clamps them down hard, until the pressure becomes a palpable sound, bursting his eardrums. The break protests, he thinks he hears something snap.. “So all night long, I held her in my arms,” the devil’s voice echoes around the empty room, undisturbed. “Just to keep her from the foggy, foggy dew.”     “It’s alright, kid.” His head hurts. Eyes sting when he attempts opening them. “I just need to clean it, yeah? You popped a stitch, s’bleeding a little.” His head hurts. Make it stop. Please. “Wanna tell me what happened?” He isn’t sure. He doesn’t know. “Someone was here,” he thinks he whispers. “Fr’nk, someone was here.” Frank’s steady hands stop. Matthew blinks through the fog, the hands return. “Frank, I need to go back. I need to go back.” He shakes his head, pushes his shoulders against the bed again. Matt hadn’t realized he was trying to sit. “Just rest, Red.” Frank sighs, coffee-mint-toothpaste-eggs-and-bacon mix in the air above him. “Don’t reckon you’ll be remembering this when you wake up anyway.” He doesn’t. BOX   Yet I was wound up. I tick. I exist. I am poised eighteen inches over the black rivets you are reading, I am in your place, I am shut in a bone box and trying to fasten myself on the white paper.     By day ten, it’s clear something is going on with Murdock. He wouldn’t know for sure, since Red never speaks of it. Never speaks much of anything that really matters, to be truthful - still a master in the art of misdirection even if he probably can’t remember sh*t about his life as a lawyer. Frank is a sniper. Waiting is in his nature, as much as Curt likes to point out he has, as he so calls it, a “modern disease” and craves for “instant gratification” or some bullsh*t. When the time is right, he’ll ask and he’ll aim just right, but for now, he has other things to worry about. If what Curt had said through the phone was true, each day that passed there was less chance Red’s amnesia was from a brain injury. The odds were much of it was psychological - Dissociative amnesia, Curt called it. Less to do with Red’s injury and much more with what happened before it. Frank frowns, eyes locked to his food before he averts his gaze to Red once more. The amnesia might have nothing to do with the hit he took to the head, but everything else certainly did. Red slept up to twelve hours most days and couldn’t seem to sleep at all on others, no matter how exhausted he was. It’d come to a point where he’d shut down, get into that detached, dissociating state he had been on his first few days in the cabin. The bruises under his eyes from the broken capillaries were getting better - Curt told him it was normal, so Frank hadn’t worried too much, though they certainly didn’t improve his appearance. He does it again - twitches his head and loses focus on his food, arm settling down against the wood, hands almost fully covered by the long sleeves of Frank’s borrowed shirt. Had been doing that a lot lately, wandering away into his head, getting lost in his surroundings. “Hey,” the crackle of gravel in his deep tone is enough to snap Red out of it. The flinch doesn’t go unnoticed. “What’s going on?” Something with his ears, maybe? Frank was pretty sure at some point they had used a flash-bang grenade, had found a canister abandoned at the warehouse entrance and track marks from someone being dragged. Red swallows, makes an attempt to go back to his food only to yield. “Nothing,” comes the predictable response. “Yeah, I don’t think so.” He slants his head to the side, gets to watch Red’s uncomfortable expressions morphing and changing. Murdock might have gotten better from looking like death warmed over, but he was still pale. He still had bandages around his head, thigh, torso. Bruises all over. Not for the first time, he wonders just how exactly does he work. Couldn’t help but notice his sharp senses the last time they saw each other - in that rooftop. He had seen him nod to something he said yards away. Wonders just how those senses of his are working now that his skull is broken, fracture extending from above his ear to a few inches past it. Frank reaches behind him into the makeshift counter, grabs the bowl of apple slices. “Eat it.” Murdock blinks, his whole body on pause. “I-” he smacks his lips softly, as if trying to get rid of a taste he couldn’t make much sense of. Frank squints at him. “Yes.” Compliance with Red was different, Frank came to realize soon enough. He was either buying himself time for something or he was closing off, hiding back inside his shell. Distinguishing the two was easy enough - Red was nothing if not an open book at the best of times. Like the past ten days, Frank prods. “Remember anything today?” Murdock shakes his head slowly, eyes roaming from the empty plate to the bowl beside him. As if looking for stains or cracks in the porcelain. He eats the slice of apple with care - too much too quick and his headache worsens, sometimes. “Just... words.” “Words?” Lips twist downward. He doesn’t look too comfortable sharing it. “Yeah,” he abandons the half-eaten slice on his place, somehow managing to avoid the dirty parts. “People saying stuff, sentences, but I couldn’t remember-” “Anything in specific?” Murdock stops moving, shakes his head. Frank lets it go, but he isn’t convinced for a second.     He sits by the table and cleans his guns and goes over the plan in his head for the fifth time. Frank’s been stewing over this long enough. It is a bad idea and he knew it, and knew it well. Taking Red back to the city with the way things were now... well, there were a thousand different ways thing could escalate and go to sh*t real quick, and he wasn’t too happy about the odds either. If they were out there, even if Red remembered his training (or some part of it), he was underweight, slightly anemic and injured. They go to the city and Red’s an immediate liability - he’ll have to look out for him. In the other hand, seeing Red flicker between moments of clarity and haze gets him in some deep, f***ed up part that messes with Frank’s head. Head replays over and over again the sight of him reaching out a hand. Too late, he had said, please. Things are starting to get complicated. At the beginning it was simple - take Red in, get him some place safe to rest, get him back to his life. But then he wakes up with his brains scrambled and what in the world does he do with that? How can he get him back to his life if Red has no goddamn idea what that means? Frank should be damn well past caring: should throw Red, clueless f***ing Red, in the middle of the city with all the wolves he pissed off that are now clamoring for his blood. Envisions going through what Red would do if the situation was different. If it was Frank with his head messed up and a whole city bellowing to take a pound of his flesh. Tells himself Red would do the same thing - just throw him to the wolves. But that’s bullsh*t. Not a goddamn bone in Matt Murdock’s body capable of leaving a man behind to bleed out. Not even a piece of sh*t like Frank. So he checks his supplies before going to Murdock with the idea. Guns, knives, burners - back-up plans, safe houses he has nearby. Places he can lay low if they can’t manage the ride back to the cabin. The city wasn’t a safe place for the Devil and much less Matt Murdock. Someone out there knows the two are one and the same, and Frank has a good f***ing guess as to who. Only a matter of time before Frank puts him down. He’s not your responsibility. Curt’s voice nags at him. Take me home. Murdock says instead. Curtis had asked who he was when even Red couldn’t answer that himself, and well, sh*t. Who wasn’t the appropriate question, was it? What Curt had wanted to ask - and Frank knows this, knows this with the certainty that he knows that Murdock will be back on his feet, no question about it - was who was Murdock to him. Red was a sanctimonious pain in the ass, that’s who. A holier-than-thou prick with a savior complex. A good guy. And Frank had been too late and so had Red and they were both paying for that now. Because Frank knows better than to expect everything will go as planned, he prepares a bag with some bare necessities. A whole bunch of first aid and changes for Red’s dressings. Kid shouldn’t be moving so soon, not after getting his head sewn back together in a mob doc’s table but as good as Frank could be at waiting, it wasn’t his favorite tactical approach and neither was Red. Frank needed him out there, doing his ninja sh*t. Murdock was one step away from getting cabin fever and whatever was going on with his ears that he wouldn’t tell. Red may sleep a lot but God knows he doesn’t do much resting - Frank reckons he has flashbacks but Murdock is rarely coherent enough when he wakes up. And the times that he is, he doesn’t seem to understand anything at all. That’s why, when he finishes packing to find Matthew burrowed into the sheets with a peaceful, restful expression softening his features, Frank doesn’t wake him. He busies himself around the place for a while until there’s no need to check traps or supplies and only then does he take a seat by the cot. Red looks different since he got here. Even with the flashbacks, the constant headaches and the effects of the concussion, there’s a weight missing from him. He still has that soldier-like posture of his, spine straight, shoulders back, but there’s something, an absence Frank can’t pinpoint. It’s in the softness of his eyebrows when he sleeps, in his easy-going talk when he’s not distracted with his messed up head. Maybe it’s the memories he doesn’t have. Maybe. Takes an hour for Red to finally shift, hands twitching away from the cotton sheets tangled around his waist. Frank notices the rashes all over his forearms, bright red where they had been pressed against the fabric. “Hey, Red,” a soft groan answers him. Red scratches at his forearm. “Who am I?” For some reason, Murdock flinches at the question; muscles tensing before he lets go. Frank’s eyes narrow at his figure, Red takes a deep, shuddering breath. “You’re Frank. I’m Matt. It’s Monday. November. I don’t know the date.” Frank stares at him some more. Waits for an answer to pop out of somewhere, a reason for the slightly frenetic twitch of his fingers. Sighs when none comes. “It’s the 21 st .” Murdock nods, before attempting to sit up. He still swayed when he did something strenuous - walked a few steps too many, climbed up the three steps from the porch to the cabin’s door -, and sometimes when he woke up. But if Curt was right and Murdock’s amnesia was psychological, triggers could help him fill the blank spots. The faster he got Red remembering, the faster he was out of there and Frank could go back to hunting down scumbags. “Put those on,” Red tilts his head the second the bundle of clothes leaves Frank’s grasp, catches it neatly with his right one. The muscles there had improved just enough that Red didn’t let things fall all the time now - Curt had left him some hand grip strengtheners the last time he had been there. When Frank had thought they’d have to shove Red back in the van. As luck would have it, the seizure had been mostly due to dehydration and shock. Murdock’s fingers explore the items - thick thermal pants, jeans, a heavy sweater and a parka. Maybe it wasn’t cold enough for the pants, but Red had lost a few pounds and had gone from fit to too damn skinny and he shivered a whole f***ing lot when night fell. He curses under his breath and throws in some winter socks and gloves. Peruses for an old pair of boots that came with the place. A tight fit, but better than Frank’s over-sized ones. “Wher’ we going?” He turns his head away from the redhead. He had seen Murdock in various stages of vulnerability in the last week, but when he woke up slurring his words and curling his tongue loosely and softly around his vowels, it was just different. Got the twist in his chest to settle at the same time it only knotted up more painfully. Reminded him too much of his kids, waking up with soft little smiles. Are we going to the park, Daddy? Rubs at the back of his head, palm pressing into the scar. Red inclines softly towards the sound, a bit more alert - chin cocked up, irises creeping towards the upper left corners, considering. “Your place.” Red frowns before freezing altogether. “There won’t be anyone in there, right?” Disquiet fingers pick at the fabric, flinching away from it before pressing his fingers harder together. Goddamn martyr. “I won’t remember them.” Frank pulls the cotton sheets away from him, throws them in the floor by the growing heap of dirty laundry he had to take care of. Red’s relentless, though. Finds away to twist his own fingers into pretzels, picking at the skin between each one. “Don’t think so.” But then again, what does he know? Midland Circle collapses, Red was supposed to be dead. Reports come about a man in a black mask saving a man and attacking people related to Fisk. There’s a riot in prison, Matt Murdock becomes a wanted man, and then he calls the very same day- “That’s what your fancy hearing is for, right?” Murdock nods gingerly. Gets up quietly and sways only once before dragging himself to the bathroom to change. He comes back dressed and already looking drained, expression unguarded. Soft. Frank looks away. “You can sleep in the car, c’mon.” Red does. He’s dead to the world for two hours.     Hell’s Kitchen doesn’t look any different from the last time Frank had been there. He had half expected it to be. That its walls would be somehow marked with the Devil’s absence. If he’s honest with himself, Frank had half expected it to look like the aftermath of an apocalypse. Stupid. Maybe it’s because he can’t picture the Kitchen without its guardian devil. Maybe it’s because it felt like the world had changed, somehow, not much more than a week ago. Something had shattered, and yet the place remained intact. Frank shakes his head and spares a glance at the man sleeping in the passenger seat, chin to his chest, soft clouds of breath getting puffed by his nose. He looked uncomfortable. He waits for the next light to gently squeeze a fingertip under his chin, help him find a better angle to rest his head. Manages to lean it against the window and Red expresses his content exhaling soft, warm air against Frank’s fingertips, falling back asleep quickly. Making sure he wasn’t resting over the injury - the place where bone was held together feebly by iron, sutures and skin - Frank avoids any bumps in the streets while driving, eyes scanning other cars and rooftops. He doesn’t think the man in the stairs necessarily knew who Red was, but his boss did. He thinks he sees something - rooftop over an auto-repair shop, not too far from them. A blur of black and red. It’s gone before he can register its shape and speed but he keeps an eye on all the rooftops after that. It doesn’t show up again, but Frank files it away as something to consider afterwards. Murdock’s building is an old brick walk-up. Not as much of a sh*thole as Frank’s safe houses in Manhattan, but a sh*thole nonetheless. Red wakes up the moment they pull over a street away, head twitching sideways. He looks more alert than he had back in the cabin, taking in the city, the traffic, the passersby. Frank just watches him for a while, makes sure he’s not about to freak out like he did once or twice already before turning off the ignition key. “Come on.” “We’re in Hell’s Kitchen.” He sniffs the air carefully, looks ridiculously alike a dog while doing it. The same way he did with his head tilts. Frank just grunts in response - of course, of all the things to remember, Red would recall what Hell’s Kitchen smells like. They use the fire escape. Frank catches Murdock missteps a whole lot more than the redhead would ever be willing to admit but he lets the man keep his pride. He’s dizzy and his legs won’t coordinate with his brain - right one mostly. As stubborn as his right arm and hand. He’d raise them barely enough to make a step and trip on the next, hold himself for dear life on the handrail before Frank came along to take most of his weight, awkwardly squeezing together through the tight fit of the stairs. Red’s exhausted by the time they make it to the third flight of stairs and Frank mostly carries him the rest of the way, Red’s legs delaying them rather than helping. It isn’t any hardship - Red doesn’t eat much and keeps even less in his stomach when he manages something. Castle isn’t sure what he’s hoping for when Red finally, gingerly walks down the stairs to his place. Looking more like a stranger than a man walking inside his home. Maybe - stupidly - that he’d walk in, surrounded by all things Matt Murdock, and come to some kind of realization and get back to his life. Get the hell away from Frank’s because he sure as hell doesn’t know what to make of this. Of Red and him in the same space, instead of being on opposite sides in a fight. Or maybe a spark. Something that told him Murdock wasn’t lost for good. Murdock touches the walls with barely concealed hesitation, knuckles feeling for the polished wood. There were cracks on the walls, broken glass on the floor, a crack on one of the window panes. Frank takes it all in and keeps quiet. Clasps his hands in front of him as he shadows Red’s footsteps inside the place. Shaky fingertips find case files over the coffee table. Murdock’s expression twists into something funny. “I really am a lawyer,” he mumbles, some kind of innocent awe tinging his voice that Frank thinks he’d never would’ve heard it otherwise, should he have his memories straight. “That you are.” Murdock’s lips twitch in that confused, unsure smile, fingertips trailing the few books by the files. An abandoned, open laptop attached to a device of some kind. Braille reader, perhaps. He stops at one of the books, fingers spasm before he traces the cover again. “Thurgood Marshall,” his eyes bob from the upper corner to the lower one, his knees still shake from the hesitation of climbing up the fire escape. “I used to read this one a lot when I was a kid.” Frank’s eyebrows go up. There’s something that keeps pulling Red back to the book, even when he feels for the other ones. Frank wonders what is it that makes him gravitate back - a memory, a feeling. What gets him tracing the same dots over and over again on the spine. “Take it,” Frank shrugs, lets his clasped hands fall by his side, “it’s yours.” Should probably get some of Red’s stuff too, while they’re at it. He steps towards the bedroom he peeks by the sliding door, looks for something they can use. Gym bag isn’t big enough for a lot, but enough. He empties one, leaves one of the hand tapes. Murdock looks grateful when he reaches gingerly towards the bag, dropping the book inside with a small smile. Frank resists the urge to tell him to quit it. He finds his cane next, discarded by the couch. Confusion and recognition battle around the creases and soft planes of his features before he carefully attempts picking it up, fingers digging into the back of the couch so he doesn’t topple over. Folds it up almost on muscle memory and seems about as surprised as Frank as he does it. “Remember anything?” He asks, strangely hopeful, but Red just frowns - sniffs the air like a hound dog. “I’m not... sure.” Yeah, he doesn’t look very sure about anything, even as he drops the folded cane inside the bag. He walks into the kitchen with a sway to his step Frank has come to recognize as exhaustion. Confirms it when Murdock’s quick to try and find support on the counter, hands bumping into something. Frank catches a blur of dark red and golden yellow before it falls. Red falls into a series of bird-like head tilts, eyes attempting to find the little red box in the floor. Knows it’s a bad idea trying to pick it up without support moments before the kid almost cracks his head open a second time. “Jesus f***, Red,” he pulls him up before he manages to face plant like the a**hole he was. Pissed off but still mindful of his sutured up head. He takes the box himself with a curse, recognizing the smooth, vinylic surface of gift wrapping before he hands it to Murdock. “Thanks.” His eyes get drawn to the floor again, though. Notices the slump of clothes on the floor by the fridge, some of them with pink splatters of washed-out blood, some with bigger stains. Frank crouches beside it - it had been wet at some point, dried up all wrinkled and smelled moldy to a degree. Suit jacket, slacks, socks, white button-up and a torn, black tie. “Hudson,” Murdock suddenly murmurs, one eyebrow quirking up as the other draws down crookedly. “It’s what I could smell before.” His hands still fumble around with the gift box, even while slanting his head this way and that, sniffing the air as if looking for clues. Frank stands up, leaves the rumpled clothes where they are. Something had happened between the prison rioting, Murdock becoming a wanted man and Frank receiving a phone call. Like the book, Red’s attention keeps gravitating back to the small box in his hands, wrapped up with ridiculous primness, contrasting badly with the skewered, badly tied up golden bow. He keeps tracing the line where the lid met the box, encased by glossy, bright red paper. “I... This is weird.” Frank grunts. Waits for him to say what he’s got to say. “I know this is all mine, I know it is but I don’t- I don’t feel it. I don’t remember it, I don’t...” He huffs in frustration, voice edged higher before it falls, holds the box closer to his chest. Frank eyes it, gazes back to the forgotten tag on the counter. It must have fallen at some point. Frank takes another look at Red then. The disgruntled, hopeless expression on his face. Exhales in a large huff of air. “Look, Red, this is gonna take time, yeah? You went through some bad sh*t. You gotta let your wounds heal, let that head o’yours heal.” Except what the kid needs is a f***ing neurologist and, sh*t, a really f***ing good therapist too. And Frank would be willing to give that to him, if only he wasn’t sure it would end terribly for Daredevil and worse still for Matt Murdock to show up now. Murdock suddenly stands straight - that fighter’s posture Frank had been used to seeing less flawless when it takes over the slumped, hopeless figure of seconds before. “What-” “Shh.” He looks a bit more like the Devil Frank recalled. A lot less like the helpless kid he’s been around the last few days. Frank can’t say he didn’t miss it. “Footsteps,” Murdock whispers, mouth close to his cheek, “coming up the stairs, six, maybe seven, they...” Frank pulls the gun from the holster, one hand clamping around Red’s upper arm to pull him back. His eyes go wide in panic seconds before he suddenly shouts out: “Frank, down!” BRUISE   Here is your space, lie down or stand or sit, it will take your shape. Be still if you can, look into yourself for what is soft and spoiled, for pulp, for that dark damage.   In a second, Red’s apartment becomes a battlefield. It’d been easy once to tell Maria that home was here, with the kids, with her. But Frank knows himself better, these days. Knows how easily he falls into the gunfire, how squeezing the trigger feels more natural than making breakfast for them once did. How landing a punch is easier than landing a caress and how he’d been so selfish to think he could have both. He has three rounds of ammo on him, thirty six bullets for his .45 caliber, one army knife - a TBI patient with no self-preservation instinct whatsoever and at least seven guys coming up the stairs to apartment 6A, armed with assault rifles and whole lot more ammunition. He takes one second to feel for Red’s skinny frame covering his body after tackling him to the floor, his unarmored body and the crisscrossed sutures over his ear before he makes a decision. Grabs the kid by the back of his neck, dragging him off of him before shoving him backwards under the stairs as soon as bullets puncture through the wall a second time. Red, probably completely oblivious as to where the urge to fight comes from, immediately tries to jump out. Frank presses his forearm against him, looks deep into his unseeing eyes before checking his cartridge - fully loaded, all twelve bullets in - before turning to Murdock once again. “You stay under those stairs, you don’t make a sound, you don’t move until I say so, do you get that?” Got not time to make sure the kid understands besides a brief stare, easing up the pressure on his chest incrementally before standing up, walking low to hide behind the hallway wall. He’s just got to crouching when a shotgun blow makes debris and chunks of drywall fly past the place his head had been, seconds before. Frank presses his gun close to his chest, stays crouched low as he waits, tonguing his parched upper lip before checking in on Red, hands covering his ears from the close-range blasts. His breathing is too quick but Frank’s got no time to check for anything else but immediate injuries. He roars out for the pieces of sh*t waiting on the other side of the door. “C’mon!!” The spray of bullets start again, exploding through the door and denting the wall by the fridge. Shattering porcelain mugs and plates long forgotten by the sink. He counts the time, the bullets he can hear. Keeps half an eye on Red, curled up tight under the stairs, eyes panicked. The second the gunfire stops, Frank’s on his feet. Two burst through the door and get shot on sight. Shoulder, head - the blonde guy falls. Chest - the braided woman goes down. A third one appears through the doorway, screaming expletives to the remaining four behind him. Frank recognizes a few operational commands - mercenaries, probably former military - before he jumps into a roll, avoiding a spray of bullets and unloading three knee-level shots at the guy. One hits home. The gunfire starts again, Frank grabs Red by the arm and pulls him out of hiding, dragging him to the table and shouldering it down to the ground, using it as shield. It was sturdy but wouldn’t last long. Red’s partially catatonic, but Frank had expected that too. Either he was caught in a sensory hell or trapped in a flashback or both. Probably both. “Red, you listening?” A sharp, erratic nod. “We gotta get to those stairs, you tell me when they’re almost out of ammo, can you do that?” Another nod, more focused, more sure. “Attaboy.” Two stop to reload, Frank lends him his palm and Red makes a small, objective map. Points the location of the four mercs still shooting, the one sitting by the two dead ones with his knee shot to hell. Immediately shows him the two as soon as they’re on their last bullet. Frank rises up too late to do much damage, but one gets a graze to the thigh and the other falls back with a shot to their armored vest. They have little tactical advantage besides Red’s senses, they’ll be trapped if they don’t move, now. But Red can’t dodge bullets when he’s still swaying over his feet every time he moves too quickly and Frank can’t cover for him at the same time he guides him up the stairs. So he quickly falls into another roll, shoots the second lady with the army jacket and slams his back against the couch. Bullets fly over his head. “You got nowhere to hide, Murdock!” Army jacket lady bellows, Frank’s gaze locks at Red’s face and he waits for the signal. The shakiness and pale skin are almost completely hidden by the determined set of his brow, the tense posture he holds himself in. “Come out now and I promise I’ll make it quick, sweetie.” Murdock rises three fingers. One goes down, another- “Now!” He rises the moment burly bald guy on the back stops to reload and shoots him once in the head. Pulls Red to his feet and drags him up the stairs as quickly as he can without risking his goddamn head. “Frank, duck!” He goes low, brings Red with him. A spray of bullets dent the wall over their heads and Frank shoots once, twice, three times. Ejects the empty mag and shoves another in record time before shooting the remaining three - Army jacket lady, vest dude and bullet-in-the-thigh a**hole. Gives them enough cover fire to crawl the remaining three steps to the access door and reach the rooftop. Murdock is weak - stumbles twice before he manages to find his footing again. But as soon as they’re high up, muscle memory and adrenaline seems to get rid of whatever catatonic spell he’d been in, together with whatever remaining self-preservation instinct he had been running on when he stayed hidden under the goddamn stairs. “Use the ledge.” “What?” But Red - the idiot who had his skull open 10 days ago - is already running. Uses the fire escape only to hang on to it, get momentum enough and jump down to the next building’s ledge, balancing precariously before taking hold of the ladder and having it drop down closer to the ground with him hanging on to it, finding the alleyway ground with unsteady feet, knees bucking violently when he finally does. Jesus Christ, this a**hole. But it’s quicker, so Frank does what he says. Almost misses the first jump but manages to hang on, climbing down the ladder and jumping to the floor the moment a bullet shatters the window over their heads and another grazes his left arm. “F***!” He ignores the urge to clamp his palm tight over the wound in favor of tugging Red’s almost non-responsive body out of the line of fire. There’s a van to the left of the building, one that hadn’t been there before. Frank memorizes the plaque seconds before spotting a tall figure waiting inside. He shoots them in the head without hesitation, eyes immediately darting up to the fire escape where Army jacket lady was hobbling down from, and the building’s front door opening from the inside - bullet-in-the-thigh dude and vest guy burst out of it, Frank starts firing and so do they. Red makes a sound of surprise and goes green when Frank shoves him behind his body. There are retching sounds and a splash of liquid against the back of his combat boots, but he’s got no time to check on him. Gotta keep on moving or they’ll get them trapped in the alley.  

𝐑𝐨𝐬𝐞𝑷𝒆𝒕𝒂𝒍𝒔

04/25/2024 08:55 PM 

𝐀𝐛𝐨𝐮𝐭 𝐓𝐡𝐞 𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫

Adeline Reilly, a young writer who inherits a haunted manor from her grandmother, is the central character in the dark romance thriller Haunting Adeline. The story unfolds as Adeline discovers that her great-grandmother was murdered in the manor, with the killer never brought to justice. Zade Meadows, a mysterious and violent figure leading a covert group fighting human trafficking, becomes fixated on Adeline. His obsession leads him to pursue, abduct, and assault her, all while professing his love and desire to protect her. Adeline grapples with conflicting emotions of attraction and fear as she attempts to escape Zade's clutches. Along the way, she uncovers long-held family secrets and the connection between Zade and her great-grandmother's killer. The novel sets the stage for its sequel, Hunting Adeline, with a suspenseful cliffhanger.The sequel picks up where the first book left off, with Adeline being held captive by The Society, a human trafficking syndicate targeted by Zade in the previous installment. Readers should brace themselves for the emotional turmoil Adeline endures in the first half of the novel, as H.D. Carlton highlights her struggles to break free from captivity. Adeline's suffering and exploitation at the hands of her captors make for a harrowing read. Meanwhile, Zade tirelessly searches for Adeline, determined to rescue her and provide unwavering support during her ordeal.In the latter part of the book, Adeline and Zade join forces to uncover the truth behind her abduction and seek retribution against those responsible. The narrative also delves into Adeline's recovery process, emphasizing the profound love shared between her and Zade. Their unwavering bond shines through as Zade remains steadfast by Adeline's side, demonstrating his unconditional love even when she feels unworthy.

𝑃𝘀у𝚌𝗵໐𝙺𝘪∣l𝟈𝙧

04/25/2024 05:01 PM 

Black Dahlia...(Open rp also pls share!)

The witches had been acting a fool in New Orleans there was chatter going on that they were trying to fight back  the vampires they might of been trying to take back NOLA but Klaus had no idea they had a plan to even try to take down Klaus but he was cautious and letting the lot of them  seeing if they were truly that dumb to try anything but Klaus made a mistake for letting them live. It was a full moon that day considering they would not be bothered by the wolves that night the only thing the witches had to worry was the vampires especially Klaus so they were all on guard that night either way as the coven met in the in the grave yard they lit their candles and one spread salt on the ground for extra protection one drew signs on a stone with some chawk and they all started to chant as a  unconscious  woman laid on the cement floor as the moon shined brightly at the witches it was a beautiful evening for something that was for sure they chanted for a minute or two doing a spell to bring back the dead as the chant was over they plunged a dagger into the woman's heart it was a sacrifice for the greater good as the woman was dying they blew out the candles as she took her last breath the spell began and the ground started to rumble like a small earthquake and then the lady gasped up and awake she was perfectly fine there was no mark on on her either of if she was never stabbed at all The  women cheered that it worked the one seemed to be in the lead walked over to the beautiful woman when the woman walked to her the lady on the ground stood up slowly she looked confused when she looked around * welcome back Dahlia* the witch said with a smile of hope * I am alive?* Dahlia felt her body and started to laugh wickedly when she realized she was back * thank you sisters now where is my nephew Niklaus Mikealson!?! * She said with a tinge of  hatred* Meanwhile there was a celebration at the compound many was there drinking either achohal or blood their choice did not matter to klaus who had no idea his horrible aunt was back but he would sooner rather then later! Klaus was laughing at a joke had been been said tosting Marcel as Marcel whipped the blood that dripped down his arm Klaus had just watch Marcel ripped someone's heart out Klaus had a devilish smile on his face but that soon would go away when BAM! The entrance door flew open with a loud slam and windows shattered the witches used their powers to incapacitate those all around everyone of the vamps fell down to their knees with terrible headaches it felt like a bullet through the head as pictures shattered and the wind kicked up Dahlia walked in with a devilish smile she raised her hand and did a spell and twisted her hand close tightly just as Klaus stood up even though his body still drop down  Klaus looked up at the sudden flakes falling down like rainfall Klaus's body started to vein up and burn it was white oak ash Klaus screamed in agony when his fleshed peeled he started to choke the witches smiled in satisfication to watch Klaus suffer in that way he couldn't get up even when he tried he didn't want to admit it but Klaus needed help at that moment! Dahlia was seeking revenge for Klaus killing her well along with her sister Ester his mom she was one angry Bit!... Witch I mean Witch  (This is how Dahlia looked when she returned)

Open Roleplay, The Originals, Legacies, The Vampire Diaries

Seed of Ichor

04/25/2024 10:28 PM 

Greed. . .

  GOLD.    Mention it, and BOOM-- folk'll forgive anything.Take San Francisco. The GOLDEN Gate City. People get so distracted by the "GOLDEN," that they ignore the Gate.They ignore why it's a gate. 'Cuz Gates are built for PEACE OF MIND.To keep things OUT.So you never, ever have to think....   ... About what's trying to get in.

HOUSE OF BULLETS.

04/25/2024 07:51 PM 

terms.

terminology.

HOUSE OF BULLETS.

04/25/2024 07:51 PM 

mbr grps.

mbrgrps./

HOUSE OF BULLETS.

04/25/2024 07:51 PM 

setting.

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If you’ve stumbled upon us, we hope to entice you as a potential collaborator and future writing partner. Take your time to read through our site here and the main site which is linked above! Ask any and all questions, we respond daily. HENRY'S COMPOUND A stronghold built by Henry Daniels the leader of a organized crime ring in New Orleans. It was purchased by Carlos and used by ISO Agents to combat Helix in Season One. It's surrounded by a mote of water and has a bunker armory. ISO HQ Located in New York City, New York—ISO Headquarters is a public facing facility known only as a 'Government building' and is highly secure. It is the main source of all outbound operations and communications with agents and handlers alike. THE GARDEN In various major cities spanning the globe are Hotels / Hostiles which disguise themselves as ordinary Inns but have a secret section that isn't listed publicly in which they allow agents to get R&R. Medical services are offered here as well. PAT'S LOUNGE Pat's Lounge in New York City is known as a very popular location for the five criminal families of New York. It's located in Manhattan upon the rooftop near Times Square. It tends to be a private, luxurious sort of establishment. THE PENTHOUSE The Penthouse was a top-floor homestay for agents operating out of New York. It's located on Billionaire row and comes complete with a balcony terrace, pool, and a six car, private garage as well as around the hour guest accomodation. THE SAFEHOUSE Located around the globe are several ISO operated "Safehouses" which usually have an employee of the agency operating them to make sure they are well-guarded and kept secret. Agents are able to locate these in tight situations for their needs. THE BLACKSMITH In various locations around the globe are facilities known to be armories operated by employees of the agency. Each location has a weapons specialist to serve the agents in need known as The Blacksmith. THE ACADEMY Currently known to be located in Kansas in an undisclosed location is the Academy. It is known by all agents as their stomping ground. It's where all new recruits must go to graduate and be chosen as field agents for ISO. ANGELDUST Despite most agents existing in a world that ISO built, other intelligence agencies tend to run in the same circles across the globe. An entire world of spies; which calls for a private nightclub scene primarily compromised of Agents to let their hair down, Angeldust. WHISKEY CREEK A bar located in New Orleans previous owned and under domain by Henry Daniels, now owned by Carlos - the Mayor. Whiskey Creek is a classic, smalltown country bar full of drunks and line-dancing which only plays honkytonk jams. THE WAREHOUSE Known by all agents as the off-books location which seizes all known vehicles, houses, weapons, etc. Use by agents in the field. It is the stock-field of everything used to build cover identities. THE ARCHIVE Publically, the building located in Washington is a historical museum of government related material. However, in the sub-levels are archive files on various ISO operations and their agents abroad. NEBESA Notoriously known throughout ISO by every agent who's been successful is Nebesa. It is a once-a-year event location in which several agents and handlers gather for ceremony and celebration. It is reserved for the best of the best. THE CATHEDRAL Although ISO doesn't have a place for religion, they do have one for funerals. That's the purpose of The Cathedral. It is known as a private and comforting place where families of agents gather to pay respects or say goodbye. EDEN Located in Chicago is Eden, is the treasury of the agency and the location of all leaderboard records. It is a front for the agent's private banking and is heavily protected. Only an 'agent card' can use the funds stored in this sort of account. BLACK SHELL Off the shores of Mexico is hell on earth, the underworld. Black Shell is where all of the worst of the worst are imprisoned. This ranges from criminals, terrorists and rogue agents and employees. A place where rights do not exist for those imprisoned.

HOUSE OF BULLETS.

04/25/2024 07:50 PM 

wanted.

@import url('https://fonts.googleapis.com/css2?family=Montserrat:ital,wght@0,100..900;1,100..900&display=swap'); @import url('https://stackpath.bootstrapcdn.com/font-awesome/4.7.0/css/font-awesome.min.css'); tbody, {width:210px;background-color:transparent !important;border: none !important;color: #cacaca !important;font-family: Palatino Linotype !important;font-size: 12px !important;} .dark_blue_white2, .dark_b_border2 {background-color: #cacaca !important;border: 0px solid !important;color: #cacaca !important;font-family: Palatino Linotype !important;font-size:18px !important;} .srchButton, .top_nav_black, .rail, #leftNav, #topNav, #rightNav, #footerWarpper, #submit {display: none !important;}.clearfix {margin-top: -165px;} /* ===== Scrollbar CSS ===== */ /* Firefox */ * { scrollbar-width: thin; scrollbar-color: #101010 #202020; } /* Chrome, Edge, and Safari */ *::-webkit-scrollbar { width: 1px; } *::-webkit-scrollbar-track { background: #fff; } *::-webkit-scrollbar-thumb { background-color: #ffffff; 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If you’ve stumbled upon us, we hope to entice you as a potential collaborator and future writing partner. Take your time to read through our site here and the main site which is linked above! Ask any and all questions, we respond daily. PEDRO PASCAL NAME. AGE. MEMBER GROUP. BIO Pellentesque sodales venenatis sapien, dictum vehicula sem convallis eget. Nulla id ornare urna. Praesent accumsan purus lacinia gravida porta. Nunc sit amet ullamcorper massa. Vestibulum porttitor mi sed lectus luctus tempor. Nunc id leo mauris. Aenean sit amet hendrerit sapien. Fusce interdum diam ligula, ut venenatis velit suscipit non. Ut quis magna metus. Sed vitae congue quam, nec volutpat ex. Sed mattis id metus quis sagittis. Integer sed consequat velit. Pellentesque sodales venenatis sapien, dictum vehicula sem convallis eget. Nulla id ornare urna. Praesent accumsan purus lacinia gravida porta. Nunc sit amet ullamcorper massa. Vestibulum porttitor mi sed lectus luctus tempor. Nunc id leo mauris. Aenean sit amet hendrerit sapien. Fusce interdum diam ligula, ut venenatis velit suscipit non. Ut quis magna metus. Sed vitae congue quam, nec volutpat ex. Sed mattis id metus quis sagittis. Integer sed consequat velit. ANA DE ARMAS NAME. AGE. MEMBER GROUP. BIO Pellentesque sodales venenatis sapien, dictum vehicula sem convallis eget. Nulla id ornare urna. Praesent accumsan purus lacinia gravida porta. Nunc sit amet ullamcorper massa. Vestibulum porttitor mi sed lectus luctus tempor. Nunc id leo mauris. Aenean sit amet hendrerit sapien. Fusce interdum diam ligula, ut venenatis velit suscipit non. Ut quis magna metus. Sed vitae congue quam, nec volutpat ex. Sed mattis id metus quis sagittis. Integer sed consequat velit. Pellentesque sodales venenatis sapien, dictum vehicula sem convallis eget. Nulla id ornare urna. Praesent accumsan purus lacinia gravida porta. Nunc sit amet ullamcorper massa. Vestibulum porttitor mi sed lectus luctus tempor. Nunc id leo mauris. Aenean sit amet hendrerit sapien. Fusce interdum diam ligula, ut venenatis velit suscipit non. Ut quis magna metus. Sed vitae congue quam, nec volutpat ex. Sed mattis id metus quis sagittis. Integer sed consequat velit. AARON T. JOHNSON NAME. AGE. MEMBER GROUP. BIO Pellentesque sodales venenatis sapien, dictum vehicula sem convallis eget. Nulla id ornare urna. Praesent accumsan purus lacinia gravida porta. Nunc sit amet ullamcorper massa. Vestibulum porttitor mi sed lectus luctus tempor. Nunc id leo mauris. Aenean sit amet hendrerit sapien. Fusce interdum diam ligula, ut venenatis velit suscipit non. Ut quis magna metus. Sed vitae congue quam, nec volutpat ex. Sed mattis id metus quis sagittis. Integer sed consequat velit. Pellentesque sodales venenatis sapien, dictum vehicula sem convallis eget. Nulla id ornare urna. Praesent accumsan purus lacinia gravida porta. Nunc sit amet ullamcorper massa. Vestibulum porttitor mi sed lectus luctus tempor. Nunc id leo mauris. Aenean sit amet hendrerit sapien. Fusce interdum diam ligula, ut venenatis velit suscipit non. Ut quis magna metus. Sed vitae congue quam, nec volutpat ex. Sed mattis id metus quis sagittis. Integer sed consequat velit. VANESSA KIRBY NAME. AGE. MEMBER GROUP. BIO Pellentesque sodales venenatis sapien, dictum vehicula sem convallis eget. Nulla id ornare urna. Praesent accumsan purus lacinia gravida porta. Nunc sit amet ullamcorper massa. Vestibulum porttitor mi sed lectus luctus tempor. Nunc id leo mauris. Aenean sit amet hendrerit sapien. Fusce interdum diam ligula, ut venenatis velit suscipit non. Ut quis magna metus. Sed vitae congue quam, nec volutpat ex. Sed mattis id metus quis sagittis. Integer sed consequat velit. Pellentesque sodales venenatis sapien, dictum vehicula sem convallis eget. Nulla id ornare urna. Praesent accumsan purus lacinia gravida porta. Nunc sit amet ullamcorper massa. Vestibulum porttitor mi sed lectus luctus tempor. Nunc id leo mauris. Aenean sit amet hendrerit sapien. Fusce interdum diam ligula, ut venenatis velit suscipit non. Ut quis magna metus. Sed vitae congue quam, nec volutpat ex. Sed mattis id metus quis sagittis. Integer sed consequat velit.

HOUSE OF BULLETS.

04/25/2024 07:50 PM 

aff.

@import url('https://fonts.googleapis.com/css2?family=Montserrat:ital,wght@0,100..900;1,100..900&display=swap'); @import url('https://stackpath.bootstrapcdn.com/font-awesome/4.7.0/css/font-awesome.min.css'); tbody, {width:210px;background-color:transparent !important;border: none !important;color: #cacaca !important;font-family: Palatino Linotype !important;font-size: 12px !important;} .dark_blue_white2, .dark_b_border2 {background-color: #cacaca !important;border: 0px solid !important;color: #cacaca !important;font-family: Palatino Linotype !important;font-size:18px !important;} .srchButton, .top_nav_black, .rail, #leftNav, #topNav, #rightNav, #footerWarpper, #submit {display: none !important;}.clearfix {margin-top: -165px;} /* ===== Scrollbar CSS ===== */ /* Firefox */ * { scrollbar-width: thin; scrollbar-color: #101010 #202020; } /* Chrome, Edge, and Safari */ *::-webkit-scrollbar { width: 1px; } *::-webkit-scrollbar-track { background: #fff; } *::-webkit-scrollbar-thumb { background-color: #ffffff; 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If you’ve stumbled upon us, we hope to entice you as a potential collaborator and future writing partner. Take your time to read through our site here and the main site which is linked above! Ask any and all questions, we respond daily. affilliate app. We’re thrilled that you’d consider us as a sibling site, frankly. That being said—and if that’s what you’re doing here—then our process is simple. Just message us your RPG name and a brief summary of the story / concept. Please provide any links to your share-banners or badges if you have them. We only ask to be shared once per week, and we promise to do the same! We often host resources either in our Discord or on our Group Site. Any of our affiliate members are more than welcome to use them freely. xo NAME: SUMMARY: LINKS: submit here.

HOUSE OF BULLETS.

04/25/2024 07:50 PM 

app.

@import url('https://fonts.googleapis.com/css2?family=Montserrat:ital,wght@0,100..900;1,100..900&display=swap'); @import url('https://stackpath.bootstrapcdn.com/font-awesome/4.7.0/css/font-awesome.min.css'); tbody, {width:210px;background-color:transparent !important;border: none !important;color: #cacaca !important;font-family: Palatino Linotype !important;font-size: 12px !important;} .dark_blue_white2, .dark_b_border2 {background-color: #cacaca !important;border: 0px solid !important;color: #cacaca !important;font-family: Palatino Linotype !important;font-size:18px !important;} .srchButton, .top_nav_black, .rail, #leftNav, #topNav, #rightNav, #footerWarpper, #submit {display: none !important;}.clearfix {margin-top: -165px;} /* ===== Scrollbar CSS ===== */ /* Firefox */ * { scrollbar-width: thin; scrollbar-color: #101010 #202020; } /* Chrome, Edge, and Safari */ *::-webkit-scrollbar { width: 1px; } *::-webkit-scrollbar-track { background: #fff; } *::-webkit-scrollbar-thumb { background-color: #ffffff; 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If you’ve stumbled upon us, we hope to entice you as a potential collaborator and future writing partner. Take your time to read through our site here and the main site which is linked above! Ask any and all questions, we respond daily. application In the section to the left you’ll find our application form. Please fill it out and submit it via the link provided below. It’s okay to take time to work on filling it out. We’re well aware of the density of content and information that we’re asking you to provide. It is also encouraged to message us privately here on the admin page and keep us updated on the process of filling in the information. If you have any questions regarding the form, the info, or the world that you may need answered in order to complete it, please - shoot us a message. submitting Submitting the application is very simple. When you have the entire application filled out, simply message us with the completed form. You may also join the Discord Server for quick access to information and help in regards to filling out the form. There is around the clock admins available to help you in the process. If you’re applying for a wanted role and may need more information, you may fill it in as you see fit and message us outlining what you filled in on your own, what you’re questionable about, and what you feel would fit the character best. Thank you! We can’t wait for you to join us and begin writing in The World of Bullets. submit here. basics CHARACTER NAME: FACE CLAIM: CHARACTER AGE: DATE OF BIRTH: ZODIAC: RESIDENCE: OCCUPATION: appearance HEIGHT: BUILD: HAIR COLOR: EYE COLOR: COMPLEXION: ETHNICITY: SCARS/BIRTHMARKS/TATTOOS: TYPICAL FASHION: personality GENERAL ATTITUDE: OUTLOOK ON LIFE: SOCIAL NATURE: STRENGTHS: WEAKNESSES: relationships PARENTS: SIBLINGS: PETS: BESTFRIEND(S): ROMANTIC PARTNER: background CHILDHOOD HOME: EDUCATION LEVEL: JOB HISTORY: SOCIAL ECO-STATUS: HOBBIES: TALENTS: HABITS: GENERAL HEALTH: in-character drabble Write something here from the perspective of your character. It can be about anything. This is a free-form writing example. plotting FRIENDS Who are they to their friends? Why would anyone want to befriend them? And how do they typically make friends or interact with friends? ENEMIES Who are their enemies? How have or how do they typically make enemies? Why would anyone become an enemy of them? FAMILY What’s it like to be related to this character? Who are their family members? How do they generally regard family relations? Are they close with their family? CO-WORKERS While at work or in the work environment, who are they to their co-workers, boss, employees, etc? How do they work with others? How do they regard work-based relations? ROMANTIC RELATIONS Are they single? Taken? Interested? It’s complicated? Tell us about their love life, or rather, history of. Who are they in a relationship? Are they a good partner or toxic and a great person to avoid when it comes to ‘love’ and building a future together? PAST RELATIONS Who were they in past relationships? What lessons did they learn? Have they changed? Not at all? Maybe there’s a ‘one that got away’?

HOUSE OF BULLETS.

04/25/2024 07:50 PM 

GUIDEBOOK.

@import url('https://fonts.googleapis.com/css2?family=Montserrat:ital,wght@0,100..900;1,100..900&display=swap'); @import url('https://stackpath.bootstrapcdn.com/font-awesome/4.7.0/css/font-awesome.min.css'); tbody, {width:210px;background-color:transparent !important;border: none !important;color: #cacaca !important;font-family: Palatino Linotype !important;font-size: 12px !important;} .dark_blue_white2, .dark_b_border2 {background-color: #cacaca !important;border: 0px solid !important;color: #cacaca !important;font-family: Palatino Linotype !important;font-size:18px !important;} .srchButton, .top_nav_black, .rail, #leftNav, #topNav, #rightNav, #footerWarpper, #submit {display: none !important;}.clearfix {margin-top: -165px;} /* ===== Scrollbar CSS ===== */ /* Firefox */ * { scrollbar-width: thin; scrollbar-color: #101010 #101010; } /* Chrome, Edge, and Safari */ *::-webkit-scrollbar { width: 1px; } *::-webkit-scrollbar-track { background: #101010; } *::-webkit-scrollbar-thumb { background-color: #101010; border-radius: 1px; border: 1px solid #101010; } body i{color:#fff;} H1{font-family:montserrat;font-size:15px;color:#f2055d;font-weight:900;letter-spacing:1px;LINE-HEIGHT:10PX;} H2{font-family:montserrat;font-size:10px;color:#ffffff;font-weight:900;letter-spacing:1px;border-bottom:#fff 1px solid;display:inline-block;padding:10px;position:absolute;right:10px;} H3{font-family:montserrat;font-size:8px;color:#e60159;font-weight:600;letter-spacing:1px;background-color:#242424;display:inline-block;padding:10px;} .container-main{width:100%;height:100%;position:fixed;top:0px;bottom:0px;left:0px;right:0px;background-color:#101010;overflow:auto;background-image: url('https://i.imgur.com/y9q2gFa.png');background-size:cover;z-index:99;} .container-content{width:1200px;height:720px;background-color:#242424;position:absolute;margin:auto;top:0px;left:0px;right:0px;bottom:0px;} .top-nav{width:1160px;height:40px;padding:20px;position:absolute;margin:auto;background-image: linear-gradient(to bottom right, #242424, #101010);border-bottom:#8b0021 1px solid;} .top-nav a{font-family:Montserrat;text-decoration:none;color:#ffffff;font-weight:600;font-size:7px;letter-spacing:2px;margin-left:80px;display:inline-block;text-align:center;MARGIN-TOP:5PX;} .top-nav a:hover{color:#e60159;} .top-nav i{font-size:15px;line-height:10px;color:#e60159;} .top-pic{width:30px;height:30px;position:absolute;background-color:transparent;top:25px;right:25px;background-image: url('https://i.imgur.com/kp9PUQz.png');background-size:cover;} .left-icon{width:50px;height:50px;background-image: url('https://i.imgur.com/xkloSKk.gif');background-size:cover;position:absolute;top:9px;border:#f2055d 5px solid;} .top-music{width:50px;height:50px;padding:5px;background-color:#f2055d;top:0px;left:20px;position:fixed;border:#f2055d 5px solid;border-radius:0px 0px 10px 10px;} .top-info{width:1100px;height:100px;padding:10px;background-color:#101010;position:absolute;top:100px;margin:auto;left:0px;right:0px;} .top-nav-2{width:630px;height:60px;background-color:#101010;position:absolute;top:40px;RIGHT:20px;font-family:arial;color:#ffffff;line-height:15px;letter-spacing:1px;font-size:8px;text-align:left;} .top-nav-2 A{FONT-FAMILY:arial;FONT-SIZE:7PX;COLOR:#f2055d;text-decoration:none;display:inline-block;text-align:center;width:100px;line-height:20px;} .top-nav-2 i{font-size:20px;color:#f2055d;} .top-nav-2 a:hover{color:#ffffff;} .right-top-info{width:430px;height:100px;background-color:#101010;position:absolute;LEFT:20px;font-family:arial;color:#ffffff;line-height:15px;letter-spacing:1px;font-size:8px;text-align:left;} .right-top-info i{font-size:15px;color:#fff;} .right-top-info b{color:#f2055d;font-weight:600;text-transform:uppercase;} .bottom-info{width:1090px;height:420px;position:absolute;margin:auto;padding:15px;top:230px;right:0px;left:0px;background-color:#242424;border:#f2055d 1px solid;background-image:url('https://i.imgur.com/TiCrIeV.png');background-size:cover;} .section-1{width:1050px;height:400px;position:relative;display:inline-block;background-color:#;padding:10px;margin-left:8px;margin-right:2px;} .section-text{width:1050px;height:400px;position:relative;display:block;top:30px;font-family:arial;font-size:9px;line-height:15px;color:#ffffff;letter-spacing:1px;background-color:#;padding:10px;position:relative;left:0px;column-count:3;} .section-text b{color:#f2055d;font-weight:600;text-transform:uppercase;} .section-text a{text-decoration:none;color:#fff;text-transform:uppercase;font-weight:900;} .header-block{position:absolute;width:334px;height:60px;background-image:linear-gradient(to bottom right, #f2055d, #a7033f );padding:10px;left:0px;top:0px;margin-top:5px;} .block-pic{width:50px;height:50px;position:absolute;top:10px;left:10px;border:#101010 5px solid;} HOME MAIN SITE DISCORD ASK A QUESTION APPLICATION AFFILIATE WANTED SETTING MEMBER GROUPS TERMINOLOGY GUIDEBOOK This page is an admin account not a role-playing account. If you’ve stumbled upon us, we hope to entice you as a potential collaborator and future writing partner. Take your time to read through our site here and the main site which is linked above! Ask any and all questions, we respond daily. CONTENT Our story is riddled with themes of espionage, politics, crime, and war. House of Bullets is a spy-drama about an underworld of spies who are employed by a dangerous board of directors called The Black Curtain who run the world behind the world. I.S.O. ( International Special Operations ) is a private intelligence agency which has a rich and vast world and society built into it. Characters will struggle with real-world issues while navigating an entirely new world that hides in the shadows. JOINING We allow writers two different options in which they can join us. The first is by taking a posted wanted character. The second is by working one-on-one with an admin to create a new character from scratch. Whichever the writer prefers, both work equally well for us. The audition or application process is also quite different based on what we’ve seen here on the site. We prefer that the final step in the audition process for us is to write a thread with the writer who is auditioning to completion. Typically, our threads run anywhere between ten to twenty posts in total. Meaning each writer will likely post a total of five to ten times to complete a thread. This process allows us to put ourselves right in the fire while also contributing to the story overall. It is ultimately up to the admin to consider the topic canon to the main story or not. The purpose of this method is to expose the writer to the world, character and format right away. This allows us to ease people in while also contributing to the overall story, which most writers find to be encouraging. CHARACTER CREATION When it comes to character creation there are some things we look at more specifically than others. For example, what purpose does the character serve? Do they have a goal? We try to refrain from allowing characters in our world who don’t immediately have some sort of purpose, goal, or contribute to the story in some way. As you can see in our application / audition form, we tend to try to create full characters for this world. The characters must all have a strength, weakness, goal - as well as obstacles in front of them to prevent them from reaching this goal. The dynamic character approach just further adds fuel to the tension and high-stakes plots in the world. It also allows other writers to reach out and grab something to work with in order to build a plot, right away. STYLE + FORMAT + ACTIVITY Let’s see if we can’t make this simple. We write primarily para + multi-para. Our format is group-forum based and requires all members to partake in the overall story. The only thing that is considered canon is what’s in the forum. If we can’t read it, it didn’t happen. So, privately writing is allowed, but not considered canon to forum-based entries. Our activity standards are a minimum of two replies in the forum per week. We also require all members to have Discord and communicate thoroughly any reason that this standard cannot be met on a week to week basis. THEME + CONCEPT Our group story is told in a way that gives it a cinematic element. We like to think about our overall story as a movie franchise with several entries to tell a complete and whole story. This is why we employ a “seasonal event” sort of mechanic to how we progress our group plot. For the most part there will always be a Season Event happening in the group. However, there are ‘grace periods’ between Seasons in which writers are able to write free-form. This means, out of chronological order. During Seasonal Events all threads are typically within the timeline of the event.

Celeste

04/25/2024 12:53 PM 

RULES.

𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝚜𝚎𝚌𝚘𝚗𝚍𝚊𝚛𝚢 𝚊𝚌𝚌𝚘𝚞𝚗𝚝, 𝚖𝚎𝚊𝚗𝚒𝚗𝚐 𝙸 𝚠𝚒𝚕𝚕 𝚗𝚘𝚝 𝚋𝚎 𝚊𝚜 𝚊𝚌𝚝𝚒𝚟𝚎 𝚘𝚗 𝚒𝚝. 𝙼𝚎𝚜𝚜𝚊𝚐𝚎𝚜 𝚊𝚛𝚎 𝚏𝚘𝚛 𝚘𝚞𝚝 𝚘𝚏 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛 𝚍𝚒𝚜𝚌𝚞𝚜𝚜𝚒𝚘𝚗 𝚘𝚗𝚕𝚢. 𝙽𝚘𝚝 𝚏𝚘𝚛 𝚛𝚘𝚕𝚎𝚙𝚕𝚊𝚢𝚒𝚗𝚐 𝚙𝚞𝚛𝚙𝚘𝚜𝚎𝚜. 𝚂𝚎𝚡 𝚒𝚜 𝚗𝚘𝚝 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝙸'𝚖 𝚒𝚗𝚝𝚎𝚛𝚎𝚜𝚝𝚎𝚍 𝚒𝚗 𝚠𝚛𝚒𝚝𝚒𝚗𝚐 𝚛𝚒𝚐𝚑𝚝 𝚘𝚏𝚏 𝚝𝚑𝚎 𝚋𝚊𝚝. 𝙲𝚎𝚕𝚎𝚜𝚝𝚎 𝚒𝚜 𝚍𝚎𝚖𝚒𝚜𝚎𝚡𝚞𝚊𝚕 𝚖𝚎𝚊𝚗𝚒𝚗𝚐 𝚜𝚑𝚎 𝚗𝚎𝚎𝚍𝚜 𝚝𝚑𝚊𝚝 𝚜𝚝𝚛𝚘𝚗𝚐, 𝚎𝚖𝚘𝚝𝚒𝚘𝚗𝚊𝚕  𝚌𝚘𝚗𝚗𝚎𝚌𝚝𝚒𝚘𝚗 𝚋𝚎𝚏𝚘𝚛𝚎 𝚜𝚑𝚎'𝚍 𝚐𝚒𝚟𝚎 𝚑𝚎𝚛𝚜𝚎𝚕𝚏 𝚝𝚘 𝚊𝚗𝚢𝚘𝚗𝚎. 𝚂𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚊𝚋𝚘𝚞𝚝 𝚢𝚘𝚞𝚛 𝚗𝚘𝚛𝚖𝚊𝚕 𝚗𝚘 𝚐𝚘𝚍𝚖𝚘𝚍𝚍𝚒𝚗𝚐 𝚛𝚞𝚕𝚎𝚜, 𝚎𝚝𝚌. 𝚈𝚘𝚞 𝚔𝚗𝚘𝚠 𝚝𝚑𝚎 𝚍𝚛𝚒𝚕𝚕 𝚋𝚢 𝚗𝚘𝚠, 𝚋𝚊𝚋𝚎𝚜. 𝙸𝚗 𝚛𝚎𝚐𝚊𝚛𝚍𝚜 𝚝𝚘 𝚑𝚎𝚛 𝚋𝚒𝚘, 𝙲𝚎𝚕𝚎𝚜𝚝𝚎 𝚑𝚊𝚜 𝚊 𝚍𝚊𝚛𝚔 𝚙𝚊𝚜𝚝. 𝙿𝚕𝚎𝚊𝚜𝚎 𝚋𝚎 𝚖𝚒𝚗𝚍𝚏𝚞𝚕 𝚘𝚏 𝚝𝚑𝚊𝚝 𝚠𝚑𝚎𝚗 𝚛𝚎𝚊𝚍𝚒𝚗𝚐 𝚍𝚞𝚎 𝚝𝚘 𝚙𝚘𝚝𝚎𝚗𝚝𝚒𝚊𝚕 𝚝𝚛𝚒𝚐𝚐𝚎𝚛 𝚠𝚊𝚛𝚗𝚒𝚗𝚐𝚜.

The Storyteller

04/25/2024 12:14 PM 

Seeking Adopted Family for Imara Karama
Current mood:  hopeful

I am seeking adopted parents and other family members for my 16-year-old werecheetah. She has no permanent home as of yet. She is a princess of a Werecheetah Coalition in Swahili, Africa. Though she is probably thought of as dead by whomever survived the war there. She will never know.  I am very selective for her relationships. Anything inappropriate will be blocked!I want a family that will love her and treat her well. When i have her adopted, I will add the location her adopted parents are living and add it to her bio. Only people who actually want this role need to apply. If you are interested in adopting her, message me and we can get a discussion going.  

Wanda

04/24/2024 08:47 PM 

Read before Interacting

I've decided to put some rules and or guidelines for interaction up because accidents just seem to keep happening more and more often with other role-players. So, PLEASE READ AND SIGN this before interacting with Wanda.  Firstly, real life is real life, roleplay is roleplay. PLEASE DON'T mix the two.   I WILL ONLY be writing with those who are at least 21 years of age. If I find out you are younger than 21, you will be removed.   WE ARE all from different Time-zones, PLEASE, PLEASE, PLEASE respect your fellow writers’ writing schedule. For Time-zone purposes, I am on the West coast.  I am an adult with a full-time job, as well as a part-time volunteer job, which means replies WILL HAPPEN Tuesdays through Thursdays. If I have time, I may reply on Saturdays.    IC only please. OOC communications SHOULD BE limited to plot discussions and activity notices.  USE common sense. If Wanda is not interested in your character, PLEASE DO NOT force her into anything you wouldn't force on yourself or anyone else for that matter.  Communication and Consent ARE A MUST.  Busy, sick or whatever the case is, please leave word, NO ghosting me. Deletion is inevitable if you ghost me.  Please keep in mind that I WILL NOT answer to "hi" or "hey" or "how r u" or even small talk one-liners. Please introduce yourself and we can get a storyline going.   Mutes and Number hoarders WILL BE REMOVED within one month of their friend request being accepted. If you are too busy to send a simple plot idea after sending me a friend request, then you are far too busy to write with me.     NO OOC DRAMA. I do not want it; I do not need it and I do not care for it. I am here to roleplay, make connections, make friends and just write. If you come to me about any unnecessary drama, you will be deleted and blocked.   OPEN TO discussing ideas before writing, BUT FAVORS random starters.   99% Story and 1% Smut. My roleplays ARE PLOT-BASED, not porn-based.   I like people to write as LEGIBLE as they can, and we can go from there.    English is my primary language. IF English is not your first language, please let me know before roleplaying.   I AM mobile for replies, and I am on desktop for editing. If you see my 'online now' icon, it's probably lying to you because I keep the site pulled up on my phone during the week.   NOT a group forum friendly writer. I am mobile and cannot access it so while I understand it's how some write, unless you're willing to move to messages or comments then we won't have a storyline going.  MESSAGES ARE for roleplaying; Comments are for Intro’s.   I WILL ACCEPT 1-5 paragraphs to start our roleplay but nothing more than that.  I ONLY WRITE 1-3 paragraphs maximum. PLEASE keep in mind that not every reply takes a novella response.   Third person, past tense.     I AM NOT joining your RPG. NO GOD-MODDING. My character is mine; yours is yours.    NO sexually abusive type of roleplays of any kind.   USAGE of inappropriate gifs will get you deleted.   NO UNSOLICITED d*cks pics, thanks!    I am a Multi-shipper and this is a Multi-verse Account. EACH SHIP will exist in its OWN UNIVERSE. Shipping WILL NEVER be a priority. DO NOT like it? DON’T add me then.   My Muse is NOT GAY. WON'T BE changing this, accept it or move on.  DOES NOT ship with Vision romantically. (Ask to ship).  IS NOT Billy and Tommy's mother. (Ask to do).  I am Discord friendly upon request, but I will LIKELY be inclined to add you on discord if we have already interacted in some compacity.    If you ADD me on Discord, please tell me who you are.    

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