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Driven by Duty (Taken in RL, & RP)

06/06/2024 08:40 PM 

Humus

Summary: “What’s your name?”“Red.”“No,” the man - Frank - shakes his head. His heart beating a symphony of unease. “That’s not it.” Notes: Hi, there! First things first, I did a lot of research for this series. And I mean, a lot. I'll try and write as much as I can about it in the end notes, for anyone curious. Poems and excerpts taken from (in order of appearence):Unlocking, Alice B. FogelDeep Red, Kevin KillianThe too late poem, Albert GoldbarthBalance, Alice B. FogelBilly-Ray Belcourt Happy reading ❤️     Humus; a brown or black complex variable material resulting from the partial decomposition of plant or animal matter and forming the organic portion of soil.   Trees are born and die, bones turn to humus, glacier to meadowland.     RED   I’m living in your disgrace deep red hatched cells a doll with hands scuttles across the face of the sea for you come and get these memories   He wakes up and he’s nothing but the pounding ache, hammering a hole through his brain and out his skull. Nausea plays with his stomach in flips, bitter acid splashes at the back of his tongue, scorching his taste buds in white-hot sting. He swallows convulsively - he’s numb from his feet to his waist and it recedes like the tide. Feeling returns like glass shards stabbing his thighs, knees, calves, feet. Abdomen flutters with the need to be sick, heat replaces cold and cycles back to heat all over his sweaty skin. Glass shards turn into pins and needles, he finds that moving is possible. Hands scramble to get a purchase onto something real, scratchy cotton scrapes over his palms as they shake, muscles pulse as if trying to melt right out of his skin. His fingers feel anesthetized, skin tingles all over, merges at the right side of his face. Tingling- Getting up makes blood rush to all the places that hurt, his perception flickers and darkens in a world that’s already painted in black and splashes of red. Maybe his knees hit the floor, he’s not sure. He’s up again - holding himself tightly to the wooden headrest of a bed before the pain converges to one place; his head. It sharpens into a ringing over his right ear, splitting him open, brain turning into static mush. He’s being taken apart from the inside out. There are words trying to tumble their way out of his mouth, but he can’t remember how to move his lips, curl his tongue. Knows that M feels like pressing his lips, knows that L gets his tongue to dance in the cage of his teeth, but nothing moves, nothing works. Nausea swirls around once more, doubles his body weight. He’s oddly aware of his own shaking, then. How his hands tremble and tremble as if convulsing. Moving gets the blood to pool on his legs and the throbbing muscle flares like fireworks under the skin. He takes a step - falters. Nothing works as it’s supposed to and he pushes. When his knees fail he pulls himself up, his head feeling like an overfilled balloon, brain liquid and heavy. He smells soap and he follows it, follows the only thing that’s not hot-cold pain and the clash of lightheadedness and heavy, pounding ache that tears from his spine, to his neck, to his head and behind his eyes. The world flickers as if it’s own fire. And then he’s falling, knees collapsing like a house of cards. He’s unable to keep going - still, he crawls. Shoulders shake in a dance of giving up and giving more, his elbows bruise with the number of times it falls to the ground. He can’t remember half the crawl when he finally reaches the smell of soap - a bathroom. He has to stand up, so he does. Body begs him to stop, flares in his own perception like lightening. His muscles quiver and crumple, pain screams a high-pitched agony song on all of his limbs. Even as he manages to stand up, he’s still falling, getting pulled into the ground. He doesn’t know, but it’s not the first time he awakens in the unfamiliar place. Cold porcelain meets him in a shock of cold and he’s vomiting before he can process the feeling of knees hitting the tiles once more. Barely registers the vile taste coating his tongue for it feels thick and tingling with palpable static as if anesthetized. His head throbs, brain pulses against the cage of his skull. Drills from the center to find surface - he’s a hollow tunnel collapsing inwards. He vaguely registers he stopped vomiting when vertigo thickens the weight of his head. Digs through his brain on how to make his limbs move, how to get his muscles to work, so he stays slumped in the ground, a pile of failed meat. Feverish eyes scream a bright sting when he blinks - maybe he’s shaking from it, from the pain. Maybe it’s the cold from the tiles under his naked knees. He tries to come up with an answer to questions he doesn’t know how to formulate - to where he is, why does everything hurt, why can’t he see, why is he alone - but nothing comes. Only the ringing in his right ear and the impermeable fog on his head, cut through only by needle-sharp pain. Where. His breath hitches and even the slight movement of his throat feels exhaustive. He forgets mechanics and only focuses on pressing his hands to the floor, finding something solid under his feet. Tries to get up, tries to get ready. Head screams threat even when all he can perceive is soap, his own sweat, copper and the ringing in his ear. Needs to locate the threats. Find escape routes. Head pulses, throbs- Where? The unfamiliarity of the place feels slightly less daunting when he manages to stand up. He doesn’t recognize the cold feeling under his feet, doesn’t recognize the smell of soap or the coppery aroma that gets more noticeable every second that he balances precariously on his legs. He can’t see but he knew where the bathroom was - followed the scent of soap and bleach. There’s something he has to do. The thought comes unbidden, penetrates through the fog like knife cutting through cloth. And then it’s all he can think of. There’s somewhere he has to be. Someone... someone was waiting. Someone needed him. Needed... who. The thought disappears like smoke with the next pulse of pain against his bone, overworked muscles shake and falter as he grips onto the sink. Swaying side to side, again and again. A swirl of nausea his body mimics from his stomach. And then it’s back. Someone, someone, someone. Fingers curl around the faucet. He can’t open it. Right hand refuses to cooperate. His head hurts and the ringing won’t leave. He tips it slightly to the right side only for it to scream bright-white-red pain and his knees try buckling once more. Someone waiting ( someone needed him) . He’s there, holding himself to the sink, convinced he’ll fall to the ground again. And this time, he won’t get back up. The world is a black hole but for the fire thickening around him, a botched perception of a sink, a toilet, a shower - but it’s dull and thick like spilling ink. He’ll fall and sink into the nothing underneath. Melt into insubstantial liquid. He hurt his head. He hurt something else too. His head is hurt - how, when, why - doesn’t know. Why is his head hurt? He finds the stitches like a rupture in the embers painting the perception of his own body. Follows the sutures with his fingertips, feels the swelling threatening to pull the threads apart. Almost faints from the pain when he tries pressing lightly into it. His right ear rings - someone - and keeps ringing, it won’t stop - someone needed him. Who? (Get to work). The erratic thinking is cut through by rhythmic thumping approaching - and then, the world rushes in. A heart, breathing, creaking wooden floor, birds, a deer far away, rustling leaves. Something is missing and he doesn’t know what. Someone needed... Open the faucet. He can’t open the faucet. Thought turns to mush and disappears into nothing, he has one job, he has to open the faucet but he can’t. Fingers fumble but can’t hold a grip. A solid wall of thumping heartbeat, inflating lungs and straining muscles carrying the smell of rain, smoke and antiseptic clots the doorway, the only escape route. A large hand suddenly intrudes in his space, takes the handle and twists it for him. He stumbles away from the oppressive, undefined form. Too much battles with his perception - the worms crawling and squirming under the house, the creaking wood, the loud, thunder-like heartbeat, the choir of birds and deer and coyotes and a large, shapeless body of leaves and trees and roots. It takes the form of a man as he concentrates, limbs sluggish where he tries to protect himself. Maybe he falls, maybe he’s still up. He’s upright, he’s upside down - his head hurts. The man, for now he’s sure it’s a man, closes the faucet then. Tries to focus on some kind of noise that may or may not be coming out of his mouth, but is deafened by the too-fast sound of his own pulse, loud ringing and the rhythmic war-drum behind, framing the bathroom with its sound waves. He whimpers, tries to press a hand to his right ear only to yelp at the pain, the sound echoing and stabbing his eardrums viciously. What’s happening? What the hell is happening? Why does everything hurt? What happened to him? Too late, the fog whispers back, too late. “Where am I?” He doesn’t recognize the voice that leaves his own throat, uncertain in its candor. Weak. A simple thought of what would Stick think? passes through his head before disappearing into the fog, lacerated and torn apart by the sharp ringing. Like everything else - insubstantial. He can’t reach it but it’s there, trapped in the haze. If he could just reach it- God, his head is killing him. “Red,” the gruff voice saturates the room and paints it bright. “Can’t be walking yet, go back to bed.” The sound helps him make a picture of himself - the embers lick at the heat gathered tightly in a straight line across his lower abdomen, in a circular wound in his right leg. Hot-white pain brings the nausea back the moment he attempts touching the sutures in his belly and he’s falling again. The man’s arms are curling around him firmly before his knees manage to hit the ground, a solid weight trapping him and he fights the nausea if only to push the man away with a disgruntled shout. His tongue is thick and dry in his mouth when he makes a second attempt at speech, limbs heavy and unable to come up to protect himself from the stranger. “No!” His own voice hits the tiles and echoes loudly against his eardrums. “Where am I? W-who are you?” The man’s heartbeat slows right down, the image of him flickers and he tries to grab onto it so he won’t catch him off guard should he attempt to attack. The man’s breath rumbles like the growl of a bear in his chest and he stumbles another step back at the disappointed, choppy rhythm of the man’s pulse. “You’re in a shack,” he relays carefully, tone neutral and giving him nothing to analyze. “Outside the city. It’s me, Red.” “No, why... Who, who are you?” He’s barely there when he asks again, mulls over the name again in his head. He’s called him that twice. Tries to savor it in his tongue as if it’ll get it to make any sense, but it doesn’t. He doesn’t know. Something’s wrong, missing. He tries to reach for anything that makes sense. Anything at all. The fog sits there, unreachable, unperturbed. He doesn’t know. He doesn’t know. “C’mon, Red. You need to sleep the meds off for a while longer.” A hand approaches him, cutting through the haze. “Don’t!” Red jumps away a few steps from the solid wall of a man, hands reach for him again once his knees try buckling for the second time. “Why do you have me? Let me- let me go-” The tinnitus in his right ear rises to that of a bee hive and he whimpers, head falling forward only for it to pulse dangerously, throbbing in so much pain that he barely registers it. “It’s Frank, Red.” It still doesn’t make any sense. Nothing does. “Why do you keep- ah, God,” the skin at the side of his head seems to swell, tries to pull at the stitches when it’s only the pain, bloating larger than life and playing with nausea settling deep in his bones. Adrenaline pulses hot, burning through it, keeping him no his feet. “Why do you keep calling me that?” The man’s - Frank’s - answer is deliberate when it comes, deceivingly patient. “What else should I call you?” The air leaves him in a sharp exhale, sutures pulling at the side of his head, right over his ear. Can hear it like bending wires, metal against bone. He uses it to center himself, tries to work through the haze with trembling fingers and weak knees. Finds nothing. “I don’t-” Too late, the fog repeats, you’re too late. His eyes sting but he refuses to acknowledge the heavy heat when it fills his eyelids with salt, burns at them. His head pounds as if protesting against it too. “Red is... fine.” He chokes out, his whole frame shivering as if his skeleton was attempting to jump out of his skin. The man - he forgot his name again, what was it? Grant, Dent, no - steps closer again, palms turned up to show he’s not a threat. He’s the only real thing he can track, the only thing that makes sense in the midst of all the input. Untouched by the fog even while he’s surrounded by it. Red can make out arms, fingers, a torso, a heartbeat, organs, bones - can’t make sense of his face, not yet. It gets lost among all the flames. Trying to work through the scents only proves him in worst shape, the sound of the man’s stomach digesting coffee and oatmeal almost deafens him. “Hey,” his voice booms around the room and Red’s knees weaken, the man is there to touch him lightly, callouses meeting elbows. “Hey, I’ll just take you back to bed, c’mon.” The words make sense until the point that they don’t. His brain grabs at what he can; the quality of the man’s - Fred, Frank - voice, deep, stoic and unperturbed. The warmth of his palms, every single ridge of a scar and a callous. His limbs are heavy by the time they stop moving, knees touching something cushy but coarse. Cotton. Doesn’t want to come anywhere near it, but he can’t fight the pull of every single muscle in his body. “I have to get back,” he slurs. “You’re in no shape to do sh*t, Red.” But he has to get back before curfew. Sister Augustine uses the ruler on the disobedient ones and Matt doesn’t want- He needs to get back before curfew. The man is there. Hovering just at the edge of the fog, fingers digging into it and keeping it away from him. Molding his body just right so it doesn’t escape it completely. He feels larger than the world, surrounding him from all sides - mountains surrounding a forest, forest surrounding a cabin... “It’s okay, kid.” He lets the tide take him. Large palms pressing him down to sandpaper, the church bells ringing in his ear.     His head is splitting open. Red cries out as soon as he wakes up, his brain pulsing against the sutures at the side of his head, throbbing. The pain radiates like lightening from it’s roots, an intricate web-patterned mesh of agony right over his right ear, extending to his temple, all over the right side of his head and the back of his eyes. The skin of his right arm feels numb and prickling, his ribs burn and splinters every time his chest rises with a breath. His lips feel dry and cracking when his parched tongue traces the edges, a foul taste lingering in the inside of his cheeks, over his teeth. His saliva feels thick with dehydration. “Open,” the gruff voice startles him to action. A rib shifts and another creaks and Red feels another cry dig its nails inside his throat. A large, sunken ship groans in his thorax and his chest stutters up and down with the new ache. He tries to feel for the coarse fabric irritating his skin - tries to fight, to get the offending hands away, but it’s useless. There are birds chirping outside, loud enough that it feels like their beaks and too-fast-too-loud heartbeats are pressed right against his eardrums. The large, indistinguishable body of roots, dirt and trees extends for as far as his senses can go. But the birds, they’re everywhere, occupying his insides like their own little cages. “It’s just water, open up.” Water. Water sounds good. Hands falter and fighting becomes pulling. Opening his mouth takes a surprising amount of strength. A rough but surprisingly careful hand tilts his chin back, supporting his head and helping cool liquid slide down his throat and quench the desert-like aridity. Stray drops run down his lips and neck, a stark difference with his slightly overheated skin. Tries to reach up his right hand to steady the man’s wrist only to find it uncooperative, lifting his left one instead. Red keeps on pushing until the right one eventually joins its twin, grip weak around a thick, scarred forearm. He holds it tight. The man's not getting his arm back until Matt is finished.  “Slow down, Red, you’ll choke.” He responds to the command automatically, guzzling down gulps of fresh water in a slower rhythm until he finishes what’s left in the bottle. All strength leaves his muscles when he finally lets go. The man’s hands are stop him from falling down abruptly against the mattress. This man. The man from before. Before... how long ago? Hours? Days? Some time before. Some time. Red doesn’t linger on it. Cotton sheets catch on the bruises in his skin and he hisses. “Hey! Stop f***ing moving around!” The man’s voice is pleasantly rough and Red stops, tilting up to hear it more closely, how it caresses the shell of his ear with a deep, gruff timbre. He’s locked in a more gentle, subtle kind of haze, then. The void doesn’t seem as terrifying as it feels inviting. “You had your skull open three days ago. Take it easy, Red.” He giggled. It was funny. Skulls weren’t supposed to be open, and people weren’t supposed to be named after colors. Red doesn’t know what colors looks like. It’s funny. “I’ll call you Black, then,” it feels funnier, still, because he isn’t sure he knows what black looks like either. “Dunno what it looks like but errthing’s burning-” The tingling feeling from before traveled up all the way from his legs to his shoulders and the world went out of focus. He’s oddly aware of his body moving before he went out again. Moving and moving and he couldn’t stop. Muscles tightening and loosening and tightening again. And then he was melting into the cotton sheets, skin feeling oddly detached of his flesh, hanging of him. Curt... back... seized again, just, come back here. He feels two powerful arms holding him sideways, a palm cradling his head. His head is overstuffed with cotton balls until they too dissolve, and Red’s drained. He isn’t sure when he manages to move. When reaching out feels like something possible, but it happens before he’s ready for it. He carefully explores the man’s face, the heavy stubble around his jaw and lips. The tight coiling heat of a bruise under one eye. He smiles. He’s home? “Dad?” “Sh*t-” the man, he didn’t sound like Dad, holds his breath before letting it get punched out of his chest. Like he’s in a ring with himself, or maybe with Red. “No, kid, just... Hang in there. Just hang in there.” The man doesn’t make much sense. Red feels around for him, for a proof of Dad. Feels the thick neck and strong shoulders. The pain coils tightly around the grinding above his right ear. His right arm feels too heavy to keep moving. Too heavy to do anything. He groans, hands coming to protect his head from the hellfire blazing within, hold it together so it doesn’t get ripped apart from the inside out. Hands appear out of thin air and Red can’t track them fast enough, hear the whistling of nails through air when someone forces something down his throat. Red fights. He has to find his Dad. He needs to find him or it'll be too late. The hands press him down against sandpaper sheets, feels it scrape at his skin, take a piece of him with it. Red fights it, with everything he has in him. “What did you do to him? Where’s- where’s-” Limbs loosen even when he tries to tense them, tries to fight. The need to sleep comes so suddenly his brain barely catches up to it, fingers still twitching, attempting to grab at something. The world is black, black, black and Dad’s face disappears with the sky when he hears the bullet. He lays down beside dad’s body in the alleyway, blood dries in the concrete.     “Eat.” His eyes open like the fluttering wings of the bird right outside the window, picking at its own feathers with its beak. Everything smells of wood, grass, gunpowder and soil, it impregnates every inch of his skin as his eyelashes disturb the air around him. Moves dust particles in a dance of fairy lights he’s not privy to. He’s not sure how long it’s been since he last woke up. It could be hours. It could be weeks. The fog is easier to navigate through, this time. It’s thick and omnipresent in every pulse of blood rushing through his body, but Red finds a way around it - can make the picture of his own body in his mind, how it inhabits the space, how it’s positioned in relation to the wooden walls. He can trace his pains back to their sources, although the fatigue stops him short of it. Every muscle in his body screams of exhaustion. The man - Frank, he recalls - is there once more. The fog battles the fire as Red unravels the enigma of the heartbeat poised right beside him. Listens to the rush of blood and oxygen to track the edges and contours of the man’s frame. Frank’s big, a shifting solid wall of trained muscles and a too-steady pulse. There’s a certain unwavering confidence in the way his chest expands with every inhale. A man unafraid of anything. Smells tell him more - gunpowder, gun oil, coffee, nicotine, blood, a lot of antiseptic, enough that it tickles his nose. He’s soon interrupted when a bowl of oatmeal is shoved in his face, struggling to curl his right hand around it as easily as he does with his left one. He winces once more when a head movement makes agony strike like lightning, rooting from the cloudy epicenter of the wound by his right ear and spreading over the curve of his skull and side of his neck. “Here,” the man turns to his left, feeling for something in a small fold-up table that smelled strongly of rust. A rough hand reaches for his, dropping two pills inside the shell of his palm. “It’s paracetamol. Curt said I can’t give you NSAIDs.” Red just nods sluggishly, realizing his mistake when the pain flares - whatever Frank says, he has other things to worry about. Why am I not in a hospital? He wants to ask. But doesn’t. Not yet. “Why do you smell of guns?” He asks instead. Red’s voice is only a thin thread of what it had been moments earlier. The fatigue is catching up to him quickly - too quickly. The man only snorts and Red tilts his head in slight confusion. For some reason he can’t fathom, that gives Frank a stop. Heartbeat falters before speeding up imperceptibly. “What’s my name, Red?” His voice catches on gravel and tar as he speaks, thick and filling the whole room with a sense of foreboding Red can’t help but mirror. “Frank.” “Frank what?” Red frowns, works through the exhaustion to keep upright, oatmeal balanced precariously in his hands. “I don’t know, you tell me.” “Sh*t,” the man shakes his head, pulse slightly faster still. “What’s your dad’s name?” Red’s eyebrows furrow closer together, analyzing a catch, some kind of implicit cue that he isn’t getting. Sees Dad’s face in his head, bruised and smiling at him. “Why do you want to know-” “Just answer the damn question.” He breathes a bit deeper. “Jack.” Red offers, calmly. Tries to remember his surname but can’t for the life of him form a single letter in his head that feels right. Just Jack. Battlin’ Jack. “Your mom’s?” “Dunno. Never met ‘er.” Something clicks, right at the back of his head. A noise. Doesn’t know what it is, doesn’t know where it comes from. Another click. He shakes his head. Frank is quiet. A void where Red’s perceptions usually would reach him - read his heartbeat, the pulling of his muscles, the steadiness of his breathing. He leans with his elbows to his knees, shifting dark smoke against the flames and the fire. “What’s yours?” The noise clicks again, his stomach goes cold. Eyes shift uselessly around as if to look for those embers, that bright fire. “What’s your name?” “Red.” “No,” the man - Frank - shakes his head. His heart beating a symphony of unease, of disappointment. A stark contrast to Red’s derailing one. “That’s not it.” “Does it really matter?” He begs in a breathless voice, heartbeat erratic where it pulses like a drum against his broken ribs. Soft tissue pressing against splintered bone. “You got yourself in some sh*t, Red,” the fog and the smoke envelop the man and he can barely track him but for his breathing, his heart, his stoic, unperturbed voice. “Some bad guys, they hit you in the head pretty bad. I could see part of your brains when I got there. Have no f***ing clue how you’re alive.” Frank’s heartbeat changes - accelerates just for a moment, snapping his body to life before he sinks back to the controlled ease. Red feels the pull of sutures on the side of his head. The grinding of bone on bone right over his ear, the feel of metal holding them together. “Is that why-” “Why what?” “I can’t see. Is... no,” no, he remembers Dad fading from his sight. The sky a far away dream. Dad promising it would be okay. “I’m blind.” The man’s chest stutters in a breath before measuring itself once more. In his slip of control, Red sees him clearly. Smoke fades in the face of the impressionist-like strokes of scent, sound, taste, touch. Can feel the heat as it leaves his body, the bruises blossoming all over his skin, the gunpowder stuck under his nails. “Yeah, you are.” The fatigue weights on him, seeps the energy out of his bones like a quiet stream. The oatmeal cools off. “Why is everything so loud?” Frank sighs, the air leaves him like a prisoner breaking free. Red feels it permeate the air. “I don’t know how you work, Red, really don’t. Just eat and go back to bed. It’ll get better, yeah?” A skip. Barely there. “Lie,” he mumbles. Frank’s heartbeat is a war-drum, a march of soldiers across no-man’s land. He sounded almost worried. Family? No. Red only ever had his dad. Friend? Unlikely. Red's no good at friends. “Are you my boyfriend?” Frank snorts without humor. “Nah, Red. You don’t like me very much. Just eat your food.” He stands up, footsteps fading where the fog dampens the fire. The noise rises in his right ear as he eats, spoonful by spoonful of lukewarm oatmeal. He can’t keep it in his stomach for long.   CONCUSSION   Nothing in the room can go back. The ashes couldn’t be paper again, the paper couldn’t return to its parental linen rags.     3 days earlier;   Frank can’t find a pulse. He curses, fingers slides wetly and slips in blood, presses them deeper into the same spot. The puddle keeps growing, nothing thrums under his digits - there’s no f***ing pulse. And he was too goddamn late. He keeps his hands close to the absence of a heartbeat and hangs his head. Sh*t, this wasn’t supposed to happen. It wasn’t supposed to go down like this. He lets go of the cold, progressively colder neck and curses at the sky, gathering the strength to face Red. He’s still mumbling, lips twitching and moving uselessly, crimson-tinted. His eyes are huge and dazed as if drugged, eyelashes clumped together with dried blood - he’s covered in it. Envelops him like a second skin, a sick kind of clothing. He stands up from the wet puddle under his feet, stains the few parts of gray concrete ruby where he steps and crouches by Red’s shivering figure, tries to find the source of the blood dripping down heavily over the side of his neck and painting his dislocated shoulder the color of his old suit. “Ah f***!” It’s small, can’t be wider than three, maybe four inches and a half, but the broken, elevated bone in Red’s skull gave way to his brain, hidden among tufts of auburn blood-soaked hair. Frank curses and steps back - has to work through his mind on what he knows of head injuries, anything from boot-camp to his experience on the field. Files the do’s apart from the don’t and what he’s equipped to deal with on his own. Goes through the information with single minded focus as he motions to the side and rips the shirt of a twitching, dying man in the warehouse floor. The bone hadn’t pierced the brain and there didn’t seem to be any parts pressed inwards, which counted for some measure of relief. He was extra careful moving him even then, supporting his neck. Red was still mumbling, huge eyes blind and lost to the tar-like emptiness surrounding him from all sides. “Sh*t, Red, work with me. C’mon, kid, work with me.” “Ahn- mhn- nnn-” “No,” Jesus Christ, he’s not doing this. He is not going to do this, not here. “No c’mon, kid, you don’t die here.” Frank holds on to a lifeline, attempting to press the cloth to stop the bleeding without disturbing the bone. Shifts his body to wrap a tourniquet around the bullet wound in his thigh, the knife slash across his stomach bleeds freely and gets the too-thin scrap soaking wet. He takes his own jacket off and presses against it, one hand still holding his nape to keep his head off the ground. It starts off like a twitch before Red’s whole frame seizes. Muscles contract and loosen, Red’s body snaps alive and deteriorates at the same time. Castle uses his whole weight to press his chest down to the blood-stained concrete and keep his neck still so he won’t hurt himself further. “Come on, Red, hang in there.” The gunshot to the thigh, the broken ribs, the dislocated shoulder and the slash to the stomach Frank can deal with. Sh*t is way less concerning than the piece of brain he could see and the seizure. Red is a live, pulsing wire in his arms until it seeps off him like an ill-fitting suit and he goes limp in Castle’s arms. He makes sure to put the shoulder back in place, secures the crimson-tinted wraps around the kid’s right thigh and lower stomach. Shifts him in his arms to brace his neck as best he can without proper equipment and holds the cloth to the bleeding wound. Thick ruby liquid drips on the ground and splatters his combat boots when Frank gets Red up. He checks the unconscious and dead bodies around them - some mangled to some degree, others beginning to wake up and shook his head. This wasn’t his goddamn mess. He gets moving. Calculates next steps. If Frank takes him to the hospital, Red was as good as dead. Whole city would be looking for him, morning came. He sifts through the possibilities in his head before finding the only truly viable solution. This day couldn’t get any worse.     “Does he need surgery?” “I don’t know, I-” Frank’s got no time for this bullsh*t. Much less the kid. He takes one careful, deliberate look around the room before slanting his head towards the bloodied threshold; the dead bodies piled outside. “Your bosses are dead, Doc. You only get out of this alive if I let you, got that?” The wiry man couldn’t be older than fifty, but the severe lines of fear distorted his face, made him look older. Frank studies exit points lazily - he had them memorized by now. “You told me you needed the portable CT. You have it. Does he need surgery?” “Man, look, I dig bullets out of people, close up stab wounds. I’m not a neurosurgeon!” Frank looks around, stuck between the restlessness and measured composure. He rubs the handle of his colt at the scar in his head, presses the cold metal against the skull until it stings. He wasn’t a neurosurgeon, no, but he had good equipment. Everything a mob doctor could need to patch up sh*tbags, including some things Frank was sure was alien tech. The Italian family Frank had been planning on hitting before this whole mess started had a whole hospital fit in a room so they could keep out of sight, out of record. “See, Doc, people say you’re the best. If they’re wrong, I got no use for you.” Frank clasps his hands in front of his body, feels the tackiness of Red’s drying blood in his palm and presses them more viciously together before loosening his muscles by sections. “Do you know how to do this or not?” The man’s lower lip trembled, muscle caught in the limbo between giving in and giving out, dark skin shining bright with sweat in the artificial light. “His dura looks intact. Little extrusion of brain matter... I can,” doc sighs shakily, “I can make a wound debridement, put the bone back in place with some wire and stitch it together. But if his brain starts bleeding or if there’s any internal damage we didn’t see, there’s nothing I can do.” Frank chances a look at the kid, sprawled out in the metal table. Still mumbling - awake, and still fighting to live with every inch of strength he could gather beneath wax-like skin. The house, painted crimson in blood as it was now, stank of death and piss. His eyes meet the doc’s again, there’s no understanding or truce in the gaze, but acknowledgment. They’re doing this. Frank has no f***ing choice. “Get ready, doc.”     0500 hours sees the sun far from fully setting in the horizon but the cold is already creeping into Frank’s bones. He abandoned the van he had stolen from the Italians in a ditch far enough away from the forest so it would keep them from looking, although Frank seriously doubted there was anyone left after the bloodbath he left behind. Wheeling a stretcher through the woods is a challenge on its own but it’s good quality stuff and he makes do, shoving bigger rocks and rotting branches away from their path when necessary, covering his tracks when needed. Red is passed out in between the flimsy see-through sheets, head bandaged neatly with only a few bloody stains seeping through. The trees eventually give way to his cabin and Curt’s car. He checks the plaque twice, makes sure the numbers are ordered correctly, focusing on details that would give away anything other than the expected. The beehive eating away at his brain settles, if only just as he mulls the numbers over in his head. Details get past him, sometimes. Spill like water from his grasp, like Red’s blood from the fracture in his head. Splattering in no distinguishable pattern, thick like overheated jelly over Frank’s boots. Can’t help looking at the gauze holding Red’s head together and feeling the tingle over his own scar. The one Bill left him with. Curt is draping new sheets over the creaking, old bed on the corner when Frank bursts hurriedly through the front door, eyes checking the perimeter, counting the booby traps surrounding them in a backwards order. Tree branch, leaf pile, can grenade, bamboo whip, trip wire, nail spikes. The room had been scrubbed within an inch of its life and Frank can’t exactly put to words any kind of gratification as he undoes the latches holding Red to the stretcher. He had been up and moving since four in the morning, since the phone call and the warehouse and finding Red mumbling gibberish with his head open and covered in blood that wasn’t only his. “Curt,” his voice is thick with gravel and tar-like saliva when it croaks out of him, “gotta take a look at that wound.” “Slow down, Frank, we’ll get to that in sec.” He shakes his head but doesn’t protest further, he won’t interfere with a corpsman’s f***ing work. Never had before and won’t start now. The unease trickles to his jumping fingers and settles in the pit of his stomach like a reassurance - he’s left two battlefields, welcoming a third one. Red, Curt and him and making sure that Red’s brains stayed where they were supposed to. Curt puts a thermometer in the kid’s ear and holds it with one hand while he carefully untangles the end of the gauze with steady fingers. “Hold this for me,” Frank’s already moving, taking hold of the device and leaving Curt to his work. Had never been this close to the kid without gearing up for a punch and the wrongness is another poke at the wasps’ nest in his head. “Did he do it right?” The uneven tan of his forearms next to Red’s waxy parlor makes him look fragile like china. “The surgery, he got it right?” The corpsman exhales a huff - neither a put upon sigh nor a simple breath, something trapped in the mingling lines. “I’d need a head scan to know that.” Wants to say something useless, waiting for the temperature to stop rising and the thermometer to finally shrill out a warning, if only to see if that would get Red to wake up and stop looking like a corpse. Say something like he’s good. Because he’s an idiot and a sanctimonious a**hole but Red’s good, can’t argue with the truth of it. “Does it look right?” He doesn’t trust a mob doc to have done it right as he trusts Curt and he certainly didn’t trust one not to give Red’s identity in exchange for safety from the other gangs, and that’s why his body is cooling off with his bosses’ back in the Costa family mansion. “Doesn’t look infected but it could take a while to set in,” the thermometer beeps. Curt checks it and nods in passing. “Not high enough to be a fever, probably from the shock.” An open palm is presented to him and Frank doesn’t ask him what, just handles Curt the improvised head scan the doc had taken after Frank shoved a gun in the back of his head. His face twists in all kinds of complicated expressions before sighing heavily. “Was he unconscious after the hit?” “Was awake when I found him. Mumbling sh*t, wasn’t making much sense. Passed out right after I got him to the doc’s table.” “How long?” “Two hours maybe.” Isn’t sure, even when he says it. The details get lost in between bracing Red sideways in the table and watching the doc put the fracture piece of bone back in place after dosing him with something, wiring it up together precariously and pulling the torn up skin over it, knitting it together in the shape of a crescent right above Red’s right ear. “The surgeon got the place clean, put that piece of bone back in place and closed it.” Curt nods, frowning for a different reason entirely as he works the flashlight back and forth over non-responding eyes. “His pupils-” “He’s blind.” “Alright,” he took it in stride. Curt’s good at playing civilian but he’s still a soldier. Still trained for the job first, any and everything else later. Frank can't begrudge him for the shake of his head. Frank himself still found hard to believe the sh*t Red pulled without functional eyes. “At least they’re even.” Mumbles offhandedly, barely parting his lips as the slurred words work through the cracks. The blooming bruises starting under Red’s eyes were small but starting to spread. A mock-mask. Frank remembers it vaguely. Seeing the same bruising under his own eyes in the mirror back then, when that bullet shattered inside his skull and lodged in the soft tissue of his brain. Curt stands up from his looming, turning the flashlight off and sighing heavily, his whole frame moving with the weight of it that hangs oppressively in the air between them. “Fracture’s not the problem, Frank. They mostly heal on their own. Docs call it a compound fracture.” Curt snaps the gloves off his hands, throwing them over to Frank when he offers his palms. He sees it coming, sees how the situation downs on him - Curt prepares to fire the big guns and Frank fights the urge to square himself back against it, keeping his pose neutral. “If he has brain damage, though? He could bleed internally, Frank. His brain could start swelling, he could paralyze, stop breathing. If he gets an infection, the chance of saving him, Frank, Jesus.” Curt shakes his head, every motion a forewarn. “Risk is already high in a hospital, let alone in the middle of nowhere.” “What do I gotta do, Curt?” He cuts to the chase and the ex-corpsman is none too happy about it, pressing his lips together in silent disapproval. Frank could almost taste it in the air in the way he could still taste the sterilized surgical tools. A stench that wouldn’t go. “For at least six days, if you’re keeping him here,” he exhales, all the contents in his lungs leaving in a single heave. “You gotta sterilize the room. Clean it at least two times a day. His sheets will need to be changed everyday, his wound cleaned, the bathroom scrubbed every time you use it. You can’t touch him without washing your hands, can’t open the windows or you risk letting in dirt and bacteria.” Frank rubs a palm through his eyes until the skin around it stings and he moves to pressing his knuckles against his eyeballs, feeling the pressure build up, dark and bright spots dancing at the edges before he lets up. “Think I can do it here?” Curt turns to him, eyebrows raised in something that looked like resignation but Frank wouldn’t be all that sure. “You have any other choice?” It’s a fair question, one Frank would’ve answered truthfully, should’ve gotten the chance. He was nothing if not practical - if there was anywhere else he could’ve safely taken Red to, he would’ve. In a f***ing heartbeat. But there’s nowhere and here they are. Movement stops them both short of continuing the questioning: twitching fingers sing a prelude to wakening muscles and a dragged out, weak groan. Red moves subtly under the thin stained sheet, left arm fumbling for a grip before he lets go. Frank watches it, taking an involuntary step forward when it twitches again, fingers attempting to hold the fabric before eyes flutter open. “What’s his name?” Curt’s voice brings him out of the brief uncertainty and Frank’s eyebrows furrow down to meet at the bullseye between them. “Matthew.” Curt nods, pulls himself a rickety fold-up chair and sits closer to the bed. “Alright, Matthew,” he starts, his voice dropping to that soothing tone Frank had heard one too many times. “I’ll need you to stay still, you’re really hurt.” He’s dazed, still. Less so than when Frank found him, but his eyes won’t still quite stop moving around lazily. Every single movement too slow, as if limbs were being weighted down to the mattress. “Mhn,” sounds wrong coming off the kid. Too vulnerable, lacking a fight. Frank clenches his jaw and works his trigger finger against his upper thigh before taking a step to the side. “Eye response is good, that’s a four.” Frank’s gaze flickers from Red’s frame, coming back and forth from Curtis and settling back again. “Hell’s that?” “I need to know his level of consciousness. There’s a scale the docs use to track that. Might need to check it a few times. It usually gets better, but he could also step into a coma.” Frank frowns at the thought of it; locks his stare to Red’s owlish, blinking eyes and lets the severity of the situation wash over him like a wave. “Matthew, can you move your left fingers for me?” The silence drags viscerally in the wake of it and Frank feels each second like a brand searing into his skin. Numbers lining up at the seam of skin over his vertebrae. “Matthew,” Curt tries again, “Can you please move your left fingers for me?” Absence of movement takes a space bigger than Frank would’ve once thought it could. He waits for it - he and Curt hanging onto the edges as they swell, separate the before from the now and all its meanings. The cabin feels larger, all the empty spaces consuming the occupied ones. “Alright.” A sigh, Curt fumbles for his first aid kit and pulls an unopened suture needle from it. The sheets get pulled from Red’s blood-stained feet, stainless steels puncturing through dermis. Red’s leg jerks away from the pain like a snapped rubber-band. Curt’s assessing eyes drag to meet Frank’s gaze in doubt. “Looks voluntary, that’s a five. Not too bad. Matthew,” no response. No head tilting, at least not towards Curt. Red’s a blank sheet with nothing but bruises and stitches holding him together - every inch of him looked wiped clean. “Matthew, can you tell me how you’re feeling?” “Mhn, mhn-” “Sh*t,” the curse leaves him in a huff of breath, his eyes go up in useless search of something he wasn’t quite sure he ever fully believed in. Guy upstairs was either very fond of Red or not at all. “Matthew, can you tell me your name?” “Mmm, mmm.” Nothing more than sounds. The echo of Red’s words over the phone crackle like static around the shell of his ears, the ghost of his speeches and admonishments like a half-forgotten story he heard from someone else. “Verbal response is not good, that’s be a two.” Curtis stands up from the chair, flimsy legs creak and cry with the movement, slanting towards the slightly smaller leg precariously. Gloves get pulled off again, thrown to the side. “He’s got moderate TBI at best, Frank. These kinda injuries either get better or they don’t. He could be talking tomorrow and then falling into a coma the day after and there’s not a damn thing you can do here to stop that from happening.” Frank turns his gaze away, locks onto Red’s dazed form instead. “This guy should be in a hospital, Frank!” “Jesus Christ,” fingers find a thread to pull before ripping it out in a single tug. Frank interlaces them behind his head and he steps around Curt, pacing into the room. There was no doubt before, when he dragged Red away from that warehouse and brought him here. There isn’t going to be any now. He drops his arms. Turns back to his brother. “How do I know?” Curt sees it. Knows him long enough to know when he’s got his mind made up about something. “Bleeding,” he offers, an exhausted drag of his consonants, “from the ears, nose, eyes. Pupils dilated unevenly. Fever, seizures, loss of motor function.” Frank commits it to memory like he once committed the names and addresses from the Cartel, the Irish, the Dogs of Hell. Paralysis, fever, seizure, blood - abort mission, find Red a hospital. “Any of those happen, I go to the hospital,” turns his eyes up to meet Curt’s, “they’ll be able to help ‘im?” Curt’s shrug is every inch as tired as his voice had been moments before. “With any luck, maybe.” He turns to sit back down, fingers tracing the rusty edges of the fold-up chair. “You mentioned a mob surgeon?” “Yeah, was planning on hitting their headquarters a while back,” he scratches at his stubbled chin, eyes fixed on the grime stain on the window pane right by Murdock’s bandaged head. “Guy took a portable scan, ain’t sure if it was any good.” “Jesus, Frank,” words are just that now; words. No turning back from this and Curt knows. Frank’s gotta do his thing but that won’t stop Curt from doing his - from trying to knock some sense into him. He’ll push and Frank won’t buckle and Curt will eventually fold, if only for the time being. “He’s had head surgery, he should be on a ventilator! Of all the impossible things!” A hysterical, put upon breath breaks out of him as he sits down. Frank doesn’t offer him anything - it’s not the first time he’ll disappoint him and most certainly not the last. Frank will do what he gotta do and Curt knows that. Knows him. The taller man shakes his head once more, fingers rubbing at his eyes. “I’ll take a look at his wounds, make sure they’re clean.” The ex-corpsman dropped his hands from his face, right elbow leaning his weight into his thigh. “You sure you can’t take this guy to a hospital? There’s a serious chance he won’t make it, Frank.” Unprompted, his mind makes its way back to the bloody two-floor warehouse. The man in the stairs. “Yeah,” voice leaves in a wisp, barely there, shredded at the end. He clears the thick feeling bloating around his throat, perched under his Adam’s apple. “I’m sure.”     Frank thumbs the edge of the crumpled piece of paper, following Curt’s scrawl with a gunpowder blackened index, dried blood stuck under his short nails. Searches through the sh*t he had raided from the Costas. A bunch of drugs Curt advised him against using, some others that’d come in handy. Paracetamol, broad spectrum antibiotics - some sedatives, should they need them. A whole bag of cleaning products he had scrounged for and some he had bought. Supplies for his dressings, antibiotic creams and Vaseline, so the bandages won’t stick to the sutures. Red’s still deep asleep by the time he gets back, Curt reading one of Frank’s books absent-minded in a corner. They’ve been checking him from hour to hour. Nudging him awake and testing his reflexes. Taking his vitals, his temp, making sure his pupils were even and there was no bleeding. Frank scrubs the whole place down. Makes sure there’s plenty of antibacterial soap and hand sanitizer around, specially when he changes his bandages. The sutures over Red’s ear were reddish and still swollen and the dressings come out slightly damp with serous fluid and some bleeding, but Curt tells him it’s normal and Frank doesn’t overthink it. He’s got a job, he’ll do it. And he damn well trusts Curt to do his. By the time he’s done cleaning, the place doesn’t look the same, something odd creeping through the wooden floors. It’s not even about the stench of cleaning products or the lack of dust settling over furniture, but a presence hanging over the space. Red is a stain making itself known - and even small as he is, kid's got one hell of a presence. Doesn't demand attention but once you see it, it hooks you in and by God it won't let you go. Twenty-one hours later, Red wakes up on his own for the second time. At first, he’s twisting the sheets in pale, ghostly hands and making sounds leaden with fatigue. Frank has no idea how he does it. One second he’s pale and slumped in the clean sheets; the next, he’s jumping to his feet, swaying precariously over his toes, breath straining and erratic - shallow, panicked puffs of air leaving him as if he was being punched repeatedly over his ribs. “Red, calm down,” his voice makes him cry out in shock, which surprises Frank in turn, heart jumping and body gearing up. “Hey, quit it, you gotta lay down.” “No, no, I have to go, lemme go, I have to-” Frank attempts an approach, only for the younger man to jump a step back, knee bobbing underneath him like a spring, caught in the limbo between giving in and holding up.  “Red, it’s Castle-” his attempts to appease only serve to incense him more, and Frank can’t say he’s surprised by that. “Let me, I need to go, I need to, I have to- ” “Red, you can’t move yet!” Trembling, almost convulsing fingers close tightly around the hilt of a fire iron, dazed, panic-blown eyes jumping from one nothing to another. Curt is a new presence at the threshold when Red unsteadily brings the weaponized tool up to his chest, sweat gathering around his waxy features with the effort of pointing it towards them. If not for the dressings and bruises and the overall beaten down appearance, Red would look every inch the dangerous fighter Frank knew him to be. “Where am I?” He asks, a quiet choke of a sound. The bandage around his shot left thigh starts pinkening before the color darkens to ruby red that starts seeping through the gauze. “What’s- I need to go,” his voice wavers again. “I need- let me go.” Blood drips on the floor from the ruptured stitches. “Can’t do that, Red.” “Who are you?” Murdock interrupts again in a burst of sound, shaky as it was, it still echoed around the four old walls. Frank hands it to him, he’s got a lot of fight. Can see the recognition in Curt, too. Red was barely keeping himself together, but still he stood there, holding that fire iron up and displaying every intention to use it if necessary. “It’s Frank, Red.” He tries a step forward. “Frank Castle.” “Get away from me!” The marine does, palms up to the opposite wall, suspended in the air with all the things he had no idea how to answer. All the question he’d need to face once- “Where’s... where’s...” Frank sees it happening in those sightless eyes and looks away. Recognition comes and goes but it always, eventually fades. Only serves to allow the question a repetition. “Where’s...” “Hey, Red, you got your head hurt pretty bad. A lotta sh*t’s gotta be confusing right now, but yer safe here-” “No no no don’t come any closer!” Can barely recognize the Devil’s voice, the way it splinters in fear and disorientation. The shaking only gets harder, his joints seem to stretch against his skin, limbs jumping away from his torso as if needing to run away. “There’s something wrong-” a sob, broken as anything Frank had ever heard. “There’s there’s something wrong, I can’t- I can’t-” words mingle and turn to mush, consonants get eaten and mixed into an auditory scrawl. Slurring the middles and catching at the end on hitched sobs. Was a wonder that Murdock still managed to keep standing, the bandage around his leg darkening further into crimson. “There’s something- please, please take me home.” The distant ringing on his ear turns into a hive, the numbness of the swarm’s fluttering wings. Take me home, he had said years ago. Head bandaged, no wife, no kids. Dead even if he still didn't know it. “Take me home, please-” Murdock’s knees finally give in and Curt steps into the room, the mid afternoon sun painting a dream-like haze over them - over Red’s open sobbing and Curt’s mumbled, comforting words. “Please, take me home.” Frank dodges his gaze to the ceiling and leaves the room.     “He doesn’t know his goddamn name, Curt.” The man sighs dispiritedly in response and Frank wonders if this is where Curt will finally stop indulging him. No such luck. “You don’t know that.” “Did you see that? Huh? Did you see what I just saw?” The incensed tone barely registers over the ex-corpsman’s features, eyes lazily following the movement of the blunt kitchen knife cutting through the apple in his hand. Curt shakes his head, drops the fruit on the table. “It’s been barely a day, Frank. He’s been beaten half to death, shot at, stabbed, brained. You’d know something about it?” “What, you think I did it?” Deep black eyes search over his face, eyebrows slightly curved upwards, betraying the worry Curt couldn’t keep bottled up. When he finally gives in, he does so with a heavy, exhausted exhale; his whole frame moves with it. “I think you wouldn’t torture someone you think is worth saving, it’s what I think.” Curt shakes his head once more, eyes pressed closed. Frank’s seen it a million times before. Patience runs right out of him even while Curt tries to hold it as tightly as he can. “Why is he here, Frank? Who is this guy?” The question should cut or maim or injure something in him, the way it sounds like a shriek cutting through his eardrums. Slicing through them like butter. No such thing happens - he’s a man sitting by a window with all his systems geared up for a fight and nothing left to face but his friend. “Have nowhere to send him.” “That’s bullsh*t, Frank!” He wasn’t denying it. “All I can give you.” He shrugs, rolls his shoulder back when he feels a healing cut pull at the edges. Curt steps back from the conversation at the movement and so does Castle. Takes the time to observe the other, how he prepared for another approach, how he studied his angles the way Frank would always study a building’s layout and exits before stepping inside. “Look, I ain’t asking why a blind man got hurt the way he did,” it sounds like it’s exactly what he means to ask. Frank doesn’t give him anything. “But whoever had him wasn’t a fan. He has broken ribs, his lower abdomen is slashed, his left thigh shot through, his shoulder was clearly dislocated-” “What do you want, Curt? What do you want me to say?” “I want you to tell me you’re not neck deep in something too big again, Frank!” His exasperated tone turns desperate, the thick lump of worry suffers metamorphosis, hatches out of its chrysalis like hopelessness, resignation. “You don’t die on me, not again.” He presses his palm against his head, rubs a the tight shaved hair on top. “Sh*t, Frank, what happens when this guy goes into a coma, huh? What happens then?” “I take him to a hospital.” Frank closes his eyes, lets a long exhale flow out of his system. “Just gotta postpone that sh*tshow as long as I can.” Curt only stared, dismay a permanent fixture in every pulling, twitching muscle of his face. Frank thinks again about disappointment and bringing Red here. The warehouse and the phone call and the man in the stairs. “What have you got yourself into, Frank?” “Got no idea what’s going on, Curt,” not yet. He’s nothing if not tenacious and thickheaded. He has a goal in mind. He’ll achieve it. “No goddamn idea.” The Lieutenant’s eyes find Red’s sleeping figure as if on a whim. The kid was twitching in his sleep, hands moving from time to time. “Is he the one neck deep-?” “It always is,” Frank interrupts, pressing his knuckles to the scar over his head. A mirror of Murdock’s. “It’s always a sh*tstorm around Red.”  

ꜱᴛᴀʀᴋᴡᴇᴀᴛʜᴇʀ

06/06/2024 03:14 PM 

730

TW: Violence, familial abuse; physical and verbal/emotional, blood, strong language.August 30th, 2011 - New York CityDistantly, beneath the thumping of his heart filling his ears, he hears his mother calling. Not to him. To the man stood across from him. His father. He thinks she's telling him to stop but he can't be sure. It sounds like he's underwater. He doesn't even hear what his dad says, only knowing he's said something because he can see the movement of his lips. Over his shoulder he sees one of his 'uncles' stop his mom short from stepping past the circle of the pack surrounding them.He turned eighteen eight days ago. He still hasn't shifted or otherwise presented his wolf. If he were a late bloomer, he's quickly running out time for even that normalcy to be granted to him. Which is what brings them to this moment. One of the warehouses the pack owns, on an early Tuesday morning. Most who work here are the members of the pack that surround him and his father. Those who aren't pack have been given a generous Tuesday off. People, humans, who know well enough not to ask any questions. They might think they're dealing with another family in the mafia despite many thinking that largely ended in the late eighties. They might think it's a different gang, or other criminal front. Surprisingly, for all his father's packs faults, they keep the Secret in tact. He's learned by now, like anything else done, it's only for self-serving purposes. If it required outing another pack, another supernatural species, to get what they wanted; it would be done. In the time it takes him to blink, a fist is thrown and colliding with his cheekbone. He's thrown to the concrete with the force but he wastes little time in pressing his palms to the gritty surface and stumbling his way back to his feet. He was raised this way. Maybe not with the punches but with the idea. Weakness isn't shown and if you're knocked down you get back up. He thinks of the bully he had in fifth grade. He can't remember the kid's name with the swirling feeling of his head but he remembers his mother telling him not to hit back and his father telling him not to lie down. If his strength wouldn't be shown in engaging the fight, it would be shown in resilence. Even if it was turning into it's own form of stupidity. "Even if that boy is beating your f***ing brains in you'll get up, Aeron. If you're the son I raised you to be."He's only just straightened up, and faced his father again when he's punched another time. He doesn't get the chance to scramble back to his feet this time before a hand is gripping his face. Chin propped in the hook of the thumb while fingers dig into his cheeks. He blinks his father's face into focus as it leans close to his own. "You know how to stop this. You're the only one who can, Aeron." He's shoved away by the same hand gripping him, collapsing again to concrete.Briefly, he lets his eyes close. Hoping. He'd call it praying if he believed in that. Please. He silently pleads to that feeling of Otherness. That feeling of something else there with him. Even if it's just this once. At least it would make this stop. His eyes snap open at the sensation of an answer in his own mind. Only for now. Foolishly, he hurries back to his feet. He has an answer, a response. He'll shift then, won't he? Show any sign of the wolf he carries. In the next instance he's dropping back to his knees from a blow to his stomach. He coughs, his forehead pressing to the cool floor. He grits his teeth, wishing he could send a glare of betrayal to whatever had answered him. Given false hope.A sharp kick to his ribs sends him to his opposite side, still gripping his stomach. He coughs again, feeling the warmth of the blood he brings up with it on his own chin. He gasps, trying to catch his breath past the sickly empty feeling of his stomach. Blindly, he slaps a palm back to the pavement, shakily pushing himself back up in increments. He knows not to simply lay there. Inaction was always worse. The arm holding him up gets kicked out from beneath him at elbow. He groans, hitting the ground again. Each time needing more effort to get back up with the addition of every blow. He screams at a boot being slammed down on his fingers and held there. The other leg kneeling in front of him before eyes he inherited are peering at him. Dark and lined with disgust. "You know I don't want to be doing this, Aeron."The boot on his fingers twists as his father gets back to his feet, pulling another pained shout from him before he's able to grit his teeth against it. He's pulled back to his own unsteady feet. A hand closing around his throat. "But you've turned it into the only way. Let your wolf out. Take your place in the pack. Accept your birthright!" The fingers close tighter with each word, each moment that passes. His own hands scramble for a grip or purchase along the arm the hand gripping him belongs to. His nails digging into skin doing next to nothing in desperation as his air narrows to nothing. He begins to see black. Creeping slowly from the edges of his vision inward. Just when he thinks he's accepted this simply being it he's dropped back to concrete. He rolls after a second, going to get up when he sees his own hand beneath him. He looks up, suddenly registering the howling scream of pain that isn't him. He gets back to his own feet after several tries, looking back down to his own hand. Claws, sharp and dark, had replaced his fingers. In front of his own eyes, he watches them shift back to the fingers he's used to seeing. His breath heaves as he watches the blood seeping past his father's fingers from his eyes. He backs away, turning only in order to push past the few members of the pack stood behind him. He glances back when his father's hand falls away from his face. Blood the only thing he can see where his eyes usually are. He leans his whole weight against the door to make it open behind him as he continues his retreat. Once he's blinking the sun out of his eyes, he's turned forward and starts sprinting down the street.

Delarosa

06/06/2024 03:11 PM 

Sample

“Get Back! Or I will fry her brain!” Came the panicked voice the cracking sound of electricity rolled from his fingertips licking the side of the red head's skull causing the hair to frizz slightly into the electrical discharge. Damien’s arm clenched tighter around her neck bringing the security agent closer to him as his eyes bounced from one gun to the next aimed in his direction. He had a hostage, but that was only getting him borrowed time eventually they would tire of the standoff, and someone would make a move. Agents were already blockading the parking garage to make sure no one else got involved, or that he could make an easy run for it. One simple, stupid mistake had him now trapped like a rat on the second story of a parking garage, files unobtained he didn't even get far enough into the files to get a glimpse of what he was looking for. Information on the Kabal was hard enough to get let alone anything on Project Reflection. He had been so close to getting... something this time. “Hey, I said back off! You want me to kill her!?” The barely contained electrical charge surged through his body lighting up his pale cheek bones and down his neck. He didn't really want to kill the woman; these people were just security guards. It was not their fault they were secretly employed through a terrible group of people under shell companies. He would, however, if it was his only wait out, better them than him. The souls of his boots shuffled slightly as he moved backwards away from the guards desperately trying to think of a way out of this situation, and really there was only one though it was not his best plan ever it was a plan... feeling the concrete barrier meet the middle of his back it was now or never. With a quick shove, and an electrical discharge leaving an acrid scent in the air he launched the female guard towards the others colliding with two of them. She would have singed places on her back, and a need for a new outfit, but overall fine. Tucking over the edge of the concrete barrier he went into free fall, what he wouldn’t give for the power of flight right now. The sound of gunfire rang through the air mostly harmless a few thudding against the psionic barrier around him. However, one pierced through the edge sending a burning sensation into his left arm, blood immediately pooling to the surface, but that was going to be the least of his worries with the ground quickly rushing towards him. Branches of electricity shot down towards the ground barely a few inches in length from his body. He had used this same idea to hover up off the ground a little. His hopes were that whatever propulsion that gave him would slow him down, it did but not enough. His body slammed hard into the ground, his legs and feet tucking and rolling. Doing everything to lessen the impact on his body. He felt the pain wrack his body, certainly bruises would form he would be lucky if he had not dislocated anything. His head bounced off hard ground, his body rolling off and onto the sidewalk and pavement scratching up his body even more as it came to a halt. He did not have time to lay there and be consumed by the pain. He had to get up. Gasping for air to reenter his burning lungs, he tried to push himself up from the ground. Every muscle screaming in protest wanting him to just lay there and give up. Let his body come to terms with the jarring pain. No, he had to get up and keep going. Else he was going to get caught, and if he got caught there was a risk Kabal would send agents, and he was not going back to that agency not under any circumstance. Groaning as he stood stumbling to get on his feet his body lagged behind itself part of hm forced to cooperate dragging himself along the pavement. He felt blood pulsing through his body to the multiple wounds, especially the gunshot, but also his nose, blood had started running from it. He had not used his powers in five years, especially that power or that extreme, and it had taken its toll. I have to keep going. I must get out of here. The word repeating in his mind as he pushed himself to keep going. He would heal, already the smallest wounds were healing the scratches and scrapes. An unknown factor to him. “Stop!” One of the guards yelled from the tower, and when Damien did not comply more gunshots rang out. Thankfully broken against the psionic barrier. Keep going his only thought as his feet forcefully carried him away from the scene if he was lucky, he would make it off the private property without any more surprises. 

🇺🇸Devil Dog

06/06/2024 07:38 PM 

Tobias Details

NAME: TobiasMIDDLE: Riordan LAST: McCortlandtNICKNAME(S): Toby, RiorAGE: 27yrsDOB: July 28thSIGN: Leo ♌️POB: Seattle, WashingtonRACE: HumanJOB: Doctor/MedicCIVIALIAN: NoMILITARY: YesENLISTED: YesOFFICER: NoBRANCH: Marine CorpRANK: Sgt.CALLSIGN: DaggerEYES: BlueHAIR: Dirty BlondeWEIGHT: 173lbHEIGHT: 5'10"BODY: Lean/Toned. Muscular.SKIN TONE: Lite/FairETHNICITY: White/CaucasianNATIONALITY: American/CanadianORIENTATION: BisexualPOSITION: SwitchLEAN: Males PERSONALITY: Toby is usually a very chill and laid back guy. Many times he is charming to the point they call him a gentleman. Serious attitude while on the job. He can be humorous at times. Always tries to be a good Marine. Great attitude around most people. Not easily distracted. Has some measure of anger control. FEARS: Having a relapse. Losing his focus. Failing at his job. Thunderstorms. Enclosed spaces such as elevators.HOBBY(S): Surfing. Swimming. Fishing. Sketching. Reading. Play guitar.  (Note: A work in progress!) 

Hadley

06/05/2024 10:01 PM 

Credits.

social media templatespsd.

⊰ 𝐄𝐓𝐇𝐄𝐑𝐄𝐀𝐋 ⊱

06/05/2024 01:02 PM 

:: share code

<center><a href="https://www.roleplayer.me/view_profile.php?member_id=1964402"><img src="https://i.imgur.com/e3C5VeA.gif&quot; title="ETHEREAL" /> </a></center> 

PinkArrowsNWingsKim

06/05/2024 12:40 PM 

Rules Of Pink Ranger

          Rules Of the Pink Ranger  This roleplayer is about Kimberly the OG Pink Ranger. So please read the rules before roleplaying with me.   Rule#1: I’m here to have fun and roleplay with my fellow Power Rangers.   Rule#2: Power Rangers Friends are highly allowed to roleplay with me, others are highly selective.   Rule#3: NO DC or Marvel related characters please. I rather have Power Rangers characters to roleplay with. If you add me I will block you.    Rule#4: Looking for a Rocky for my Kimberly.   Rule#5: Kimberly is my favorite Power Ranger and I would rather keep her here to roleplay if you don’t mind.   Rule#6: No Drama!    Rule#7: More to come!    ~ Kimberly   

Swift Kitten (Princess/Detective)

06/04/2024 02:31 PM 

Drabble # 1. (Writing Example)

"Drabble # 1!Writing example"@Swift-Kitten- 857 WordsTanzania, Africa was home to a vast amount of wild-beasts.  Most where beasts - where not. Some where were-creatures. Humans who shifted to animals and back. There where some creatures were spotted, long-legged and were fast going at least 60+ miles per hour in a short distance. You would think; "That's just a regular cheetah. Nothing special." But you would be wrong.Living in the the vast heart of the Savannah with her family, was a were-cheetah Princess who everyone called affectionately, Kitten. Most where family and others were deemed as her "Aunts and Uncles", those who were close to the family but were NOT blood related. The Princess was loved dearly by her family and subjects. She was never alone even when she wanted to be. Her loving and dotting parents forbade her to do so. She complied with their orders, as arguing never helped. Trying would get her scolded by the whole Coalition. Kitten often spent time wandering the vast Savannah. Sometimes to relax away from her family and guardians. Other times to hunt and use her abilities to hone them.One night she came back to a horrific scene. Before she stepped into her Kingdom, flanked by four guards, the smell of death and blood, washed over her senses. The rank smell almost made her want to puke. She swallowed hard and raced forward on spotted paws, towards her home.As she grew closer a sinking feeling grew in the pit of her stomach. It twisting and turning, making her feel nauseous. With her guards in toe, the Cheetah Princess, arrived home. Entering through the back gate of the castle, the young cheetah went to look for her parents, hoping and praying that whoever had attacked, had left them alive.She walked through a flowered post that had been stripped of the beautiful decorations, some dotted with blood. A shrill scream of pain and three more sounded behind her. She spun around on her paws and pelted for the subjects in need. A hunter stood infront of the one guard that stood still. Blood from his now dead comrades now stained his cheetah fur. A growl of anger rose in her throat. She saw the hunter pulling the trigger and she leaped at him. Hoping to make him misfire, but she was too late. As she landed on him, she heard the thud and the laboring breathing of her guard as he slowly drew in his last breath. In rage she tore the hunter apart, letting bis blood soak her fur. His bones crunching under her teeth as she bit down on them, breaking his spine with no effort.A growl rose into the air, her father's. Another one sounded her mother's. Swirving her head towards her parents' growls. She saw them being dragged out by hunters with guns pointed at them. Desperate she made the choice to try and save her parents. She released the bone and jumped off the dead hunter and her way around the castle. To the front entrance. She was almost behind them, but hadn't factored in the other hunters that were still alive. She found herself on the ground, guns pointed at her back. A hard boot pressed on her back as another hunter put a steel collor around her neck with a chain that was locked on a ring in the ground next to her. They forced her to shift to her human form and onto her knees. They tied her up and removed the feline muzzle.Once on her knees, she tried to bite one of the hunters, but instead, she found a hard fist, slamming into her face. She fell over as she lost her balance. The guards lifted her back up and forced an "O" ring into her mouth. Keeping her Mouth open. She was forced to watch as the hunters killed her parents in cold blood. The hunters shot them over and over again until they stopped pleading and begging. Only laying limply with there heads bowed on their knees."Nuuuu!", came a muffled cry of pain from the brunette. She sat where they had placed her tears streaming from her eyes as they killed her parents before her. However, they let her go and left. She had been untied and unmuzzled. She crawled to her parents lifeless bodies and cried into them. They were gone and her Kingdom was now in rambles. In the days that followed, Kitten buried her parents and her fallen comrades, their loss weighing heavy on her heart. But as she stood before their graves, a steely resolve took root within her soul. She vowed to honor their memory by rebuilding the Coalition, by restoring peace and justice to the land they had loved and protected so fiercely. "I swear, someday I will have my revenge. I will build back our home, our Coalition, and rule as their Queen." She vowed to the stone graves as she stood before them. "I promise!" After she grieved, she left her kingdom, having grabbed some clothes from her room - what could she find and left her home forever.  " A Queen must be strong to lead her people. "One Day you will become Queen!. template credit

Klaus Mikalson (Original Hybrid)

06/04/2024 12:12 PM 

My rules

RulesNo drama please I can't stand it .Don't always expect me to write large essays in RP.Lastly just have fun writing with me.

𝙍𝙤𝙢𝙖𝙣

06/04/2024 01:44 PM 

Unspoken bond

A week had passed by, Roman had been on the road, he had found it pretty hard going, maybe harder then he thought he would. Finding himself on Route 66 wasnt really where he thought he would be, but here he was, His phone had run out of battery, and he knew he wouldnt be in a hotel to chagre the phone up. Undersatnding that he was going be on his own for a while was a scary thing. But he did the best thing that he do, As he drove down the road, he found a small cafe, so he pulled up in the car park, and turned of the engine. Cheeking out the cafe, he knew that he would stumble his words, as he was still trying to procces how to really put words together. He did okay most days it was only when he was anxious his words could come out like word vomit.   Getting out of the car, he closed it and locked it, as he wasnt sure if he was safe around here. there were some colourful characters, One car took he noticed, as there were sounds of a crying dog, more like a puppy, and a few youths with the puppy, he didnt want to intefere at least not at the minute. Entering the cafe the minute he walked in everyone turned around and stare at him. Roman thought about turning around and running away, but then he realised that he needed to do this he needed to get more confident in himself., Making his way over to the counter, he drummed his fingers on the side as he then softy spoke- "can .. ca .." the words stummbling, from his lips, he could hear sniggers aroound him but he had manged to block that out- "Can i have a tea please" the words finally came out, the young waitress, locked eyes with him and smiled as she nodded her head- "of course" she gave him one of those sympethetic smiles that he hated,. Within a few minutes the tea was ready, he piad for it and made his way over to the corner so he could have a bit of a rest-    As he began to sip on his tea he looked outside at that same car, the youths had now got out of the car, and were circling the puppy, as roman watched the people that passed by just ignored the boys, he couldnt belive what he was saying, One of the boys picked up the puppy and began to be rough with it, Decing this was enough for him. He got up and ran out- "Oi what are you doing that to that pup" -his words never stammed them as he was annoyed, but as he shouted that, the boys all laughed and dumped the puppy on the floor and drove off.   By the time Roman got to the puppy, she was shaking, a litle frail thing, Roman made his way towards the puppy, and got on his knees- "hey little angel" he softy spoke, he never moved to close, he wanted the puppy to come to him. within a few kind words, the puppy, had made her way to Roman- "You are safe with me"    That was when Roman first really felt something, a bond that was never needed to speak about, cause it was there when he looked at his dog and when she looked back at him. It was such a weird feeling that he would end up at the wrong place but maybe at the right time ..

𝒄𝒖𝒍𝒕 𝒄𝒍𝒂𝒔𝒔𝒊𝒄✧

06/03/2024 04:13 PM 

BROADWAY MAGAZINE 1

In the electrifying world of Broadway, few stars shine as brightly as Caroline Tesfaye. A triple threat who has captivated audiences as an actress, fashion designer, and popstar, Tesfaye's journey is a testament to her unparalleled talent and relentless dedication. Her career catapulted to new heights when she joined the original cast of "Hamilton," portraying the iconic role of Eliza Schuyler. Sharing the stage with Lin-Manuel Miranda, Tesfaye etched her name in Broadway history as the only performer to ever grace the stage with the entire original ensemble of the groundbreaking musical. Today, Caroline Tesfaye's career continues to ascend as she steps into the vibrant role of Vanessa in the highly anticipated film adaptation of "In the Heights." This casting marks yet another milestone in her illustrious career, showcasing her versatility and ability to breathe life into diverse characters. As she transitions from the historical depths of "Hamilton" to the lively streets of Washington Heights, Tesfaye brings a fresh, dynamic energy to her performances, further solidifying her status as a multifaceted star in the entertainment industry. In this exclusive feature, we delve into Caroline Tesfaye's remarkable journey, exploring her evolution as a performer, her creative ventures in fashion design, and her impact on the pop music scene. Join us as we celebrate the achievements of this extraordinary artist, who continues to inspire and captivate audiences worldwide with her indomitable spirit and exceptional talent. What was it like stepping into the iconic role of Eliza in Hamilton, especially with the original cast? Can you share any memorable moments or challenges you faced during this transition?Oh god, it was incredibly intimating. These are people who I consider as the most talented people in entertainment right now. I never expected to take the role when Phillipa couldn’t return. I felt so incredibly lucky that these people saw what I didn’t see in myself and gave me the opportunity. Everyone was so kind, and they were all offering me little tips, and just cheering me on. I’ve never been in such a loving atmosphere where there’s no competition, everyone wants everyone to succeed. People who aren’t in the musical theater world really don’t understand how hard it is to be on Broadway, like it’s incredibly physical, and you don’t get takes, so you have to get right every single time, every single night. You also have to learn how to mess up, but recover, because we’re all human, but the crowd can’t know!Did you feel any added pressure taking over a role that had such a significant impact on Broadway? How did you prepare for it? I did feel so much pressure, I wasn’t even sure if I could do it. My first instinct was that Lin was joking, I was like, “Oh he’s making a joke!!!” I was like when Patrick Swayze said to Baby in Dirty Dancing where he’s like,”oh, do you want to do it?” but he was serious. I had to spend sometime in the studio and hear my own voice to prove to myself first before I could set on proving myself to the cast. Eliza is literally my dream role, I love Eliza and I love Hamilton. So, to make my broadway debut with a role that means so much to me, I’m so incredibly lucky. To prepare, I took voice lessons. I would run on the treadmill and sing to make sure that I never lost my voice. Eliza is the only character in the show that never raps, so I wanted to make sure my voice was smooth. I studied the Disney plus movie recording of the show, and I wrote down little things that Phillipa did that made Eliza who she is. I think I ran the show with Phillipa a few times, she’d come to rehearsals and we’d run the show and she’d be like, “breathe here. Watch out for this person.” and Renee would sort of put her arm around me to help me reach my marks until it was muscle memory. It’s a lot of work, but it’s so much fun. I’m so lucky.How did the dynamics of the original cast influence your performance as Eliza? Were there any particular cast members who offered you valuable guidance or support?Like I said, this cast is the kindest people I’ve ever met. These people truly are my friends. They never made me feel like an outcast or anything, even though I was the youngest person in the cast. I mean, Daveed and Lin literally came to my album release party, and Renee, Lin and him came to Noelle’s birthday party. As far as during the show, they were all so kind. Okieriete is like my biggest cheerleader, when I finally felt like I hit “Burn” the way that I wanted, here comes this huge man screaming, “YESSSSS LET’S F***ING GO, WIDDO BEBE.” Birdie has everyone calling me “Widdo bebe”. Everyone was so chill about answering all my questions. The entire cast traveled to Puerto Rico to perform some numbers from Hamilton and to see us announce “In The Heights.”It was also my first performance as myself and they all had “Gaslight” t-shirts on and were singing the lyrics to my songs. I mean, MY SONGS. It was crazy. But I can’t talk enough about Lin. He’s truly part of my family. Him and his wife are such blessings to know.  You have a close relationship with Lin Manuel Miranda. How has his mentorship influenced your career? Can you share any special moments or advice he’s given you? I adore Lin Manuel Miranda so much. He’s such a creative genius and he’s the kindest person I know. He’s literally kind to his bones. He has such love and passion for giving voices to the people who don’t get them. He’s always been very much ready to help me with anything. He’s sort of given me this mindset that I’m capable of anything. He’s been one in my corner to be like, “No, Caroline, you have the talent, you have the passion, do the damn thing.” He’s influenced me incredibly, he’s made me think a whole lot more about what I can do with my platform that’s for the good. He’s the most special person. He told me once, “As long as I have a job, you have a job.” So, I think for the rest of my career, any time Lin calls, the answer is, “yes.” Collaborative Process: What was it like working so closely with Lin both on Hamilton and In the Heights? How does his creative process inspire your own work? He’s just so passionate, he loves every bit of the process. You can tell he is just nothing but joy in his lyrics and in his ability to tell a story. He does something no one else is able to do with his writing. He’s really given me the confidence to try, to stand up and force people to embrace my culture. Without him, I’m not sure anyone would have ever paid attention to the Mexican side of me. It’s the most precious part of who I am, and I’ve been quietened for so long and he doesn’t let me take that. Role in the Movie Adaption of "In the Heights" Transition to Film: How did you find the transition from stage to screen in the movie adaptation of In the Heights? What were the biggest differences you experienced? I think they did a fantastic job translating it. It’s the same heart, the same story, the same characters, but it’s bigger. It’s like they took exactly what was in his head and put it on screen, it’s truly magical. I unfortunately haven’t gotten to play Vanessa on stage, I would love to, though. Maybe Nori and I can do a run on Broadway, I think he’d love it. It’s closer to what he does on stage normally. But in the movie, we do get takes, so it’s nice to be able to be like, “woah, hold up, can I do that again, please?”Tell us about your portrayal of Vanessa in In the Heights. How did you make the role your own, and what aspects of the character resonated with you the most? Vanessa is a hard worker, and her biggest dream is to be a fashion designer, and that’s the core of my career is fashion. I might not get to do as much costume designing and styling as I used to, but the very first award I ever won was a costumers guild award. And I’ll never stop making clothes. Fashion is walking art, and I appreciate it so much. She’s this girl with big dreams and Usnavi says that she’s tough as nails. I think Vanessa is the closest to myself that I’ve gotten to play. I think I might’ve added a little more sweetness to Vanessa, but either way, I love her. I’m so lucky.Your best friend Nori Jusino plays Usnavi in the movie. How did your real-life friendship influence your on-screen chemistry and performances? Chemistry is something you either have or you don’t, and our real life relationship made it that much easier. We sort of got to skip the nerves, because we already knew each other and we have the most trust. I think we’re able to play a little more, and it makes every day so much fun. I hope we get to work together more.Throughout your career, you've often been labeled as white despite being Mexican. How has this affected your career and the roles you’ve been offered? I really didn’t get the opportunity to be able to play someone who felt like me culturally until Lin. It wasn’t something that I didn’t want to do because it’s all I’ve wanted to do. I just sort of been typecast in my real life. I’ve spoken a bunch about my heritage, and my mom, and it’s those lines that seemed to get cut from interviews. It’s been really nice to have been offered this role that says, “I see you. I know who you are. I know you have talent. You’re more than who you were on Tik Tok three years ago.”How important is it for you to represent your Mexican heritage in your work? Are there particular roles or stories you are passionate about bringing to the stage or screen to highlight this aspect of your identity? It’s the most important to me. It’s how I keep my mother’s memory alive. It’s how I honor her and it’s most authentically me. I’m really happy to be able to take my first role that does this, and it’s not just the sassy best friend. I am really dying to be in West Side Story. I really would like my chance to be in Encanto, too, it’s coming to the stage.Can you share any details about upcoming Broadway shows or projects you’re involved in? What roles or stories are you most excited about exploring next? I can! I will be doing the TV Live version of Rocky Horror Picture Show as Janet in October, and I’m really excited about that. I’m doing quite a few projects with Birdie. You’ll be able to see us in a horror movie, which I can’t say much other than it’s called, “X”. I’ll still be Eliza on Hamilton for as long as they’ll have me.Are there any dream roles or shows you’ve always wanted to be a part of? What attracts you to these particular roles?I have so many dream roles, I am such a dreamer when it comes to the stories I’d love to be a part of. I am dying to be Eurydice in Hadestown. I’d love to be in & Juliet, that is a show I’ve seen a few times and got to meet the cast. I'd love to get to do that for a run. I really was serious when I said I’d love to be in Encanto, that’s towards the top of my list. And Chicago. I would die to be chicago. Oh, and burlesque. Broadway Evolution: How do you see Broadway evolving in the next few years, and what role do you hope to play in that evolution? I think broadway is going to keep evolving to include stories that aren’t getting told. I think Broadway is a place where all cultures should be celebrated and I think Lin is the forefather of that, and I think we’re going to continue pushing people to tell all of their stories, not just those that are of only white descent. I think we’ll see more people of color taking on roles that were traditionally casted only by white people. I hope that I can use my platform to keep demanding it happen. I hope I get the opportunity to share the stage with people who have finally gotten the respect they deserve.Who are some of the people, both within the theater community and outside of it, who inspire you the most?I don’t need to mention Lin again, but you guys know, he’s the blueprint. I really look up to Bianca Marroquín, she's an incredible mexican broadway actress and she was “Roxie Hart '' in Chicago for twenty years. She’s one of the only actresses to ever play both female leads in that show. I, of course, look up to Phillipa Soo, she’s the original Eliza and taught me so much, she sings like an actual angel. Olga Merediz was in the original run of In the Heights and in our movie version, she’s one of the wisest people I know. Outside of the theater community, I really look up to Chappell Roan, she literally is so much herself, and she’s making music that's so unique and fun, and I’m obsessed with her. Also, my grandmother, Dolly, which y’all would know her as Dolly Parton, but she’s just Golly to me. She’s amazing. She’s so talented and she sings better than anyone I know even at her age. She's a love incarnate.What advice would you give to young performers who aspire to follow in your footsteps and make it on Broadway?Don’t underestimate the amount of work and respect Broadway deserves. It’s so hard but in the best way. It’s something that takes more dedication than anything. Most importantly, don’t stop dreaming. Broadway is built on dreams, and if you’re not dreaming, you’re missing the one thing that unites all of us, from the actors to the crowd. Take voice lessons, don’t rely on pure talent, because it’s technical, too. Try and prepare audition songs from most genres, and try not to choose something too popular but nothing unknown. How do you balance the demands of a busy career in theatre and film with your personal life? What keeps you grounded and motivated?I think I am just really lucky to be surrounded by people who love me and love that I’m chasing my dreams. Abel brings London to see me at rehearsals, Golly comes and sees me, she hasn’t missed a single show. My best friend in the world, Birdie, if she can, comes to watch my shows and hangs out with me behind the scenes, she’s my biggest cheerleader, she’s the best. She comes and threatens every single cast member like, “you better be nice to my widdo bebe.” I’m lucky that Nori and Noelle both were in “In the heights” so we didn’t even need a babysitter for her, and that was super special. I just try to make sure once a day, I find time to just be “Caroline” and nothing else. I think the motivation comes simply from loving it so much. I love being on stage or on set.

Everyoɴe ιѕ мy тoy

06/03/2024 02:43 PM 

About Felix Catton

https://www.cosmopolitan.com/entertainment/movies/a45823323/saltburn-costume-designer-sophie-canale-interview/

🐬˖° SeaGoddessAmphitrite ˖°🌊

06/03/2024 02:18 PM 

Rules Of The SeaGoddess
Current mood:  accomplished

                             Rules of The Sea GoddessRule#1: This roleplay account is highly about my Sea Goddess Amphitrite but in my own way. My Amphitrite is half human/ half mermaid. So please show her respect or I will block you.Rule#2: This is a half human/ half human account Why you ask? I have a high reason in making this account because I always loved mermaids ever since I was little and I wanted to make a few because for my love for them. Honestly, I’m getting sick and tired of making accounts with DC/ Marvel characters because there is enough of them on here roleplay so why make them all the time when I make an account of my favorite Sea Creature that I am highly comfortable roleplaying. So please don’t ask me to make an account that deals with DC/ Marvel okay. I am keeping my mermaid character. Rule#3: No Drama! Keep it off my account!  Rule#4: No harassing, bullying or stalking my character I will block you. Rule#5: Friends : There are some friends I would like to roleplay with.Mermaids (sisters)Mermen (Brothers or love interest)Spiderman (If he no taken really love interest)Loki (Not taken love interest)Captain Killian Hook (Not taken love interest)Rule#6: Relationships: My Sea Goddess Amphitrite is highly single and looking for someone to but with her so she is looking for fellow love interests: Spiderman Peter Parker (If he no taken really love interest)Loki (Not taken love interest)Captain Killian Hook (Not taken love interest)Rule#7: Roleplaying: Amphitrite would like to roleplay with the following: Other mermaids, mermen, Spider men, Loki, Killian HookRule#8: more to come! 

Everyoɴe ιѕ мy тoy

06/03/2024 02:02 PM 

Headcanon
Current mood:  adventurous

Headcanon Felix and therapy When he got out of the hospital his family put him in rehab and he was forced to talk about his problems with a therapist at the center and he just sat in the group sessions and said nothing about that night of his overdose and nothing about Oliver . He didn't even talk to them about it . He just was frozen and wouldn't let anyone know about his Ollie. .he still loved him and he did the program but he will only talk about it with the book he wrote and that's it

Bowie

06/03/2024 12:59 PM 

OPTIONAL TASK 427

Bowie was rummaging through some old photos. She was trying to find a picture of her cheerleading to show Rebecca. She stopped on one particular photo that was of a six year old Bowie and her grandmother standing at the kitchen counter hand mixing ingredients in a bowl that her grandfather had taken without them knowing. Looking down at a photo a memory appeared in Bowie’s head, like a private movie only she could see. “Ow, ow, ow” her grandfather cried out. A thwacking sound then could be heard followed by a louder “ow” that again came from her grandfather. “That’s what you get you old geezer” her grandmother said to him before ushering him out of the kitchen. Bowie and her grandmother had spent the morning baking brownies for themselves, and some cakes for the Church bake sale to get money to repair a damaged part of the roof. “Grandpa, Grandma told you to wait until they had cooled down” Bowie sweetly spoke to her grandpa. “But my sweet angel they looked so delicious, and I just couldn’t wait” her grandma said to her before kissing her on the head. “But now my mouth is burning” he said before going to the fridge and grabbing some milk. He poured two glasses one for himself and one for Bowie. He then drank the milk quickly before refilling it. “I will have to wait till they cool before I have another” he said. “Finally learned your lesson” her grandma said causing Bowie to laugh. Putting down the photo Bowie smiled to herself. She always loved baking with her grandmother, it’s some of her happiest of memories. It always brought a smile to her face and made her feel good. But it also made her miss those times a lot more. Glancing at the photo one last time she smiled before looking for the specific photo she had been searching for.



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