In a sleepy little town in New England, we meet Barbara (Geena Davis) and Adam (Alec Baldwin) Maitland, a couple who have chosen to take a vacation by staying at home. However, the realtor who sold them the house, Jane (Annie McEnroe), tries to entice them to sell the house, since it seems too big for just a couple. The Maitlands reject her pleas and head to town. On the way home they swerve to avoid a dog, which sends them into a river where they drown. Unaware that they are dead, the Maitlands return to the house, unsure how they got back so quickly. Adam decides to go back outside to 'retrace their steps,' but finds himself on a strange desert planet inhabited by striped sandworms. When he returns to the house, Barbara says he was gone for two hours and shows him a book that she found on a table, Handbook for the Recently Deceased. Time passes relatively quickly, and soon, the Maitlands' house is sold again (under Jane's watchful eye) to the Deetzes, a New York family composed of Charles (Jeffrey Jones), Delia (Catherine O'Hara), and their daughter Lydia (Winona Ryder). While Charles wishes for a quiet respite from the hustle and bustle of New York, Delia can't stand the simple life, and hires a decorator named Otho (Glenn Shadix) to make the house more 'livable' and more to her tastes. Adam and Barbara try to scare the Deetzes, but all their efforts are for naught, as it seems that the living can't see the dead. They take refuge in the attic, where Adam locks the door. However, Lydia finds a skeleton key and tries to open the door. As Adam and Barbara foil her attempts, a TV in the attic comes to life, advertising the services of someone named Beetlejuice (Michael Keaton), who claims to be able to scare the living. Consulting the handbook, Adam creates a door that takes him and Barbara to a waiting room in the afterlife, filled with others who have met rather gruesome fates. They are shown to a special room, which reveals their home after it has been redecorated by Delia and Otho. It is here that they are introduced to their case worker Juno (Sylvia Sidney), who chastises them for their haunting methods and cautions them not to take the advice of the person they saw on the television. Returning to the house, Adam and Barbara dress up in sheets to try and scare Charles and Delia, but their attempt fails again. Annoyed with the spooky noises, Lydia finds them, and the two are amazed when they remove the bedsheets and realize she can see them! Lydia reveals that she found their handbook, and found a passage that explains how 'live people ignore the strange and unusual,' something she considered herself to be. The Maitlands enlist Lydia to help get the Deetzes out of their house, but no one believes her. Not sure what to do, Barbara notices something in the model of the town in the attic: a glowing light around a small grave that appears to belong to Beetlejuice. She says his name three times, and she and Adam are whisked into the model, where they unearth Beetlejuice's body. Once they've done so they regret it, as Beetlejuice is a rather crazy, uncouth and insane ghoul. Turned off by his personality, they resolve to scare the Deetzes themselves. At a dinner party Delia throws to show her sculptures and other art pieces, the entire group ends up singing 'The Banana Boat Song,' and the shrimp dish in front of them turns into grasping hands. The Maitlands think they've finally succeeded, only to find that their antics have actually amused the Deetzes. The Deetzes send Lydia to bring them down, and when they refuse, everyone clambers to the attic, demanding that the Maitlands show themselves. They find no one there, but Charles is entranced by the miniature of the town, and Otho finds and takes the handbook. Leaving the attic, Charles feels that there is a lucrative business venture just waiting to happen. However, his cheerfulness turns to horror as Beetlejuice transforms into a large snake, freaking out the family by knocking Otho down the stairs and dropping Charles to the floor below. Barbara manages to call the snake off by uttering Beetlejuice's name three times. Lydia is distraught, thinking that the snake was the Maitlands intending to do more than just scare them. The Maitlands are brought before Juno again, who takes them to task for breaking a number of rules: having photos taken of themselves, letting Beetlejuice out, and letting Otho get hold of the handbook. Juno encourages the Maitlands to work harder to scare the Deetzes, and Barbara and Adam contort their features into grotesque forms. However, Barbara has some apprehensions, as she likes Lydia. Meanwhile, Lydia grows so upset that she writes a suicide letter. Going to the attic to say goodbye to the Maitlands, she encounters Beetlejuice in the model. Beetlejuice tries to convince her that he can help her find the Maitlands if she says his name three times. Lydia is almost tricked into saying this, until she realizes that Beetlejuice was the snake, and doubts if he really can help her find the Maitlands. Just then, Adam and Barbara appear, and Lydia explains what was about to happen. Lydia, feeling distraught to be living, tells them of her wish to be dead. Barbara talks her out of these thoughts, and tells her that they've decided to not scare the family, and allow them to stay. Just then, Otho and Charles appear in the attic; Lydia and the Maitlands hide. Otho and Charles carry Adam's model of the town downstairs, where they give Charles' business associate Maxie Deen (Robert Goulet) an overview of Charles' plan to turn the town into a paranormal-themed attraction. Charles also requests that Lydia produce the Maitlands for their guests, but when she refuses, Otho explains that he has a way. Using the handbook and the Maitlands' wedding clothes, Otho performs a seance that forces the couple to appear before them. However, this causes the Maitlands to deteriorate, their forms reverting to their decaying corpses. Frantic, Lydia rushes to the model and sees Beetlejuice in the graveyard. She begs him to help her. Beetlejuice agrees on the condition that Lydia marries him. She agrees to this, and the Maitlands are saved. However, Beetlejuice then holds Lydia to her word, and holds Charles and Delia hostage as 'witnesses,' as Otho escapes. Both Adam and Barbara struggle to stop Beetlejuice, who sends Adam into the model and Barbara to the sandworm planet. Through a joint effort, they do away with Beetlejuice and save Lydia. In the aftermath, the Maitlands and the Deetzes co-occupy the house, and Lydia is much more cheerful in her new environment.
Music
Shake, shake, shake, Senora, shake your body line
Shake, shake, shake, Senora, shake it all the time
Work, work, work, Senora, work your body line
Work, work, work, Senora, work it all the time
My girl's name is Senora
I tell you friends, I adore her
And when she dances, oh, brother
She's a hurricane in all kinds of weather
Jump in the line, rock your body in time
(Okay, I believe you)
Jump in the line, rock your body in time
(Okay, I believe you)
Jump in the line, rock your body in time
(Okay, I believe you)
Jump in the line, rock your body in time
(Whoa)
Shake, shake, shake, Senora, shake your body line, whoa
Shake, shake, shake, Senora, shake it all the time
Work, work, work, Senora, work your body line
Work, work, work, Senora, work it all the time
You can talk about cha-cha
Tango, waltz or the rumba
Senora's dance has no title
You jump in the saddle
Hold on to the bridle
Jump in the line, rock your body in time
(Okay, I believe you)
Jump in the line, rock your body in time
(Rock your body, child)
Jump in the line, rock your body in time
(Somebody, help me)
Jump in the line, rock your body in time
(Whoa)
Shake, shake, shake, Senora, shake your body line
Shake, shake, shake, Senora, shake it all the time, whoa
Work, work, work, Senora, work your body line, yep
Work, work, work, Senora, work it all the time
Senora, she's a sensation
The reason for aviation
And fellas, you got to watch it
When she wind up she bottom, she go like a rocket
Jump in the line, rock your body in time
(Okay, I believe you)
Jump in the line, rock your body in time
(Hoist those skirts a little higher)
Jump in the line, rock your body in time
(Up the chimney)
Jump in the line, rock your body in time
(Whoa-oh)
Yes sir
Shake, shake, shake, Senora
Shake your body line
Work, work, work, Senora
Work it all the time
Dance, dance, dance, Senora
Dance it all the time
Work, work, work, Senora
Work it all the time
Senora dances calypso
Left to right is the tempo
And when she gets the sensation
She go up in the air
Come down in slow motion
Jump in the line, rock your body in time
(Okay, I believe you)
Jump in the line, rock your body in time
(Somebody, help me)
Jump in the line, rock your body in time
(Okay, I believe you)
Jump in the line, rock your body in time
(Whoa)
Shake, shake, shake, Senora, shake your body line
Shake, shake, shake, Senora, shake it all the time
Work, work, work, Senora
About me: Adam Maitland married Barbara Maitland and they moved into a large house in a small town called Winter River, Connecticut. Adam spends most of his time in the attic working on a giant model of the town. One morning, the couple was driving home from their hardware store when Barbara swerved to avoid hitting a dog, causing them to crash off a bridge and over into the water where they drowned. Adam and Barbara make it back home without realizing that they are dead. Adam notices something is off, realizing he can’t recall getting out of the water, and heads back to the bridge to retrace his steps. But as soon as he steps of the porch, he finds himself in a sandy desert planet with a monster looming. Barbara pulls him back onto the porch before the monster can devour him and states he’s been gone for two hours, and in the time that he was gone, she’s noticed there reflections don’t appear in the living room mirror. She also points out a handbook on the table with the title Handbook for the Recently Deceased, and they realize they didn‘t survive the crash. Later, the couple are in their bedroom and Adam is sitting on the bed trying to read the handbook. Despite all the questions Barbara asks, Adam is unable to understand anything, stating it reads like stereo instructions. Adam spends the next few days working on his town model, while Barbara attempts to clean. When Barbara’s cousin, Jane, drives up to the house, Adam tries to get her attention, but Barbara points out that the handbook says the living can’t see the dead. Adam says that since they’re dead, they shouldn’t have much to worry about. Some time later, Adam and Barbara wake up to a loud noise and notice a family has moved into their house: Charles Deetz, his wife Delia, and his daughter Lydia. Adam and Barbara attempt to scare them away by Adam cutting off his head to look like a headless corpse, but while Delia and her interior designer, Otho, are looking around the house, they can’t see them. Adam notices that they are headed to the attic, and Adam locks it quickly so they can’t get in. Adam returns to Barbara and puts his head back on. Barbara doesn’t approve of the changes the Deetz family is making to the house and tries to leave. Adam follows her and they both end up on the desert planet as soon as they step off the porch. Adam frantically searches for Barbara and when he finds her, they are confronted by a giant sandworm. They retreat back into the house, realizing they are trapped. The Maitlands keep the attic locked and take refuge in it. When Adam is flipping through the handbook, a flyer falls out for Betelguese, the bio-exorcist, but no way to contact him. Barbara is looking out the window and sees Lydia noticing them, but Adam denies this. Lydia is given a skeleton key and tries to enter the attic, but Adam and Barbara hold the door. A commercial appears on the television for Betelguese, saying he can get rid of people living in your house. Adam realizes they need help, and returns to the handbook for emergencies. Following the instructions, he draws a door with chalk on the attic wall and knocks three times. The wall turns into a passageway and Adam and Barbara enter, giving Lydia a chance to unlock the attic door.