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▶Name: Lorenzo di Piero de Medici ▶Nicknames: Lorenzo the Magnificent ▶Birthplace: Florence, Italy ▶Current Location: Florence, Italy ▶Date of Birth: 1 January 1449 ▶Age: 568 years old ▶Gender: Male ▶Orientation: Straight ▶Species: Immortal ▶Marital Status: Single
▶Hair colour: Brown ▶Eye colour: Brown ▶Skin colour: Light ▶Height: 6ft 2in ▶What is his body type (skinny, slim, athletic, curvy, overweight, muscular, etc.)? : Skinny ▶Any prominent features, freckles/moles/scars/tattoos/
other distinguishing marks?: Death Eaters Mark ▶Face shape (round, oval, chubby, thin, long, square, heart-shaped, etc.)? : Oval ▶Accessories:: Villa,Shop ▶Hairstyle
(long, short, crewcut, locs, bangs, side-part etc.): Short ▶Natural hair texture
(thick, thin, wiry, smooth, wavy, curly, nappy, etc.): Thick and Smooth
SPEECH AND LANGUAGE/COMMUNICATION
▶Pace (does he talk fast, average, slow?): Average ▶Voice tone
(shrill, high, average, deep, squeaky,
hoarse, harsh, authoritative, cultured, etc.): Average ▶Accent or dialect, if any: Italian ▶Mannerisms/demeanor?: Cool/confident ▶Typical posture: Stands straight but not stiffly ▶Gestures: Only when excited/upset
Greetings folks here's the scope I am finally gonna give up the alliance story changing to Egypt. Reasons I am doing this can't find writers to play certain accounts or missing people or Co-Author to help me either. Right now I got real irl problems like I can't take a shower without going into danger if the tub collapse yet can't complain to park owner not his problem.so unable to think on stories.
Lorenzo de' Medici, 1 January 1449 - 9 April 1492) was an Italian statesman and de facto ruler of the Florentine Republic, who was one of the most powerful and enthusiastic patrons of the Renaissance. Also known as Lorenzo the Magnificent (Lorenzo il Magnifico) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists and poets. He is well known for his contribution to the art world by sponsoring artists such as Botticelli and Michelangelo. His life coincided with the mature phase of Italian Renaissance and his death coincided with the end of the Golden Age of Florence. The fragile peace that he helped maintain among the various Italian states collapsed with his death. He is buried in the Medici Chapel in Florence.
Angels of Vengeance's
Lorenzo's grandfather, Cosimo de' Medici, was the first member of the Medici family to combine running the Medici Bank with leading the Republic of Florence. Cosimo was one of the wealthiest men in Europe and spent a very large portion of his fortune in government and philanthropy. He was a patron of the arts and funded public works. Lorenzo's father, Piero di Cosimo de' Medici, was equally at the centre of Florentine life, chiefly as an art patron and collector, while Lorenzo's uncle, Giovanni di Cosimo de' Medici, took care of the family's business interests. Lorenzo's mother, Lucrezia Tornabuoni, was a writer of sonnets and a friend to poets and philosophers of the Medici Academy. She became her son's advisor after the deaths of his father and uncle.
Lorenzo, considered the brightest of the five children of Piero and Lucrezia, was tutored by a diplomat and bishop, Gentile de' Becchi, and the humanist philosopher Marsilio Ficino, and he was trained in Greek by John Argyropoulos. With his brother Giuliano, he participated in jousting, hawking, hunting, and horse breeding for the Palio, a horse race in Siena. At 19 he won first prize in a tournament of the sons of the leading families of Florence against the best men at arms of Italy; Niccolo Machiavelli would write that he did so "not by way of favour, but by his own valour and skill in arms". His own horse was named Morello di Vento.
Piero sent Lorenzo on many important diplomatic missions when he was still a youth, which included trips to Rome to meet the pope and other important religious and political figures.
Lorenzo was described as rather plain of appearance and was of average height, having a broad frame and short legs, a swarthy skin, squashed nose, short-sighted eyes and a harsh voice. Giuliano, on the other hand, was regarded as handsome; he was used as a model by Botticelli in his painting of Mars and Venus.
House of Medici
Lorenzo, groomed for power, assumed a leading role in the state upon the death of his father in 1469, when he was twenty. Already drained by his grandfather's building projects and constantly stressed by mismanagement, wars, and political expenses, the Medici Bank's assets contracted seriously during the course of Lorenzo's lifetime.
Lorenzo, like his grandfather, father, and son, ruled Florence indirectly through surrogates in the city councils, threats, payoffs and strategic marriages. Although Florence flourished under Lorenzo's rule, he effectively reigned as a despot, and people had little political freedom. Rival Florentine families inevitably harboured resentments over the Medicis' dominance, and enemies of the Medici remained a factor in Florentine life long after Lorenzo's passing. The most notable of the rival families was the Pazzi, who nearly brought Lorenzo's reign to an end right after it began.
Alum had been discovered by local citizens of Volterra, who turned to Florence to get backing to exploit this important natural resource. A key commodity in the glass-making, tanning and textile industries, alum was available from only a few sources under the control of the Ottomans and monopolized by Genoa before discovery of Alum sources in Italy at Tolfa. First the Roman Curia in 1462, and then Lorenzo and the Medici Bank less than a year later got involved in backing the mining operation, with the pope taking a two-ducat commission for each cantar quintal of alum retrieved and ensuring a monopoly against the Turkish-derived goods by prohibiting trade in alum with infidels. When they realized the value of the alum mine, the people of Volterra wanted its revenues for their municipal funds rather than having it enter the pockets of their Florentine backers. Thus began an insurrection and secession from Florence, which involved putting to death several opposing citizens. Lorenzo sent mercenaries to suppress the revolt by force, and the mercenaries ultimately sacked the city. Lorenzo hurried to Volterra to make amends, but the incident would remain a dark stain on his record.
On Easter Sunday, 26 April 1478, in an incident called the Pazzi conspiracy, a group headed by Girolamo Riario, Francesco Pazzi, and Francesco Salviati, the Archbishop of Pisa, and with the blessing of his patron Pope Sixtus IV, attacked Lorenzo and his brother and co-ruler, Giuliano, in the Cathedral of Santa Maria del Fiore in an attempt to seize control of the Florentine government. Giuliano was killed, brutally stabbed to death, but Lorenzo escaped with only a minor wound to the shoulder, having been defended by the poet Politician. News of the conspiracy spread throughout Florence and was brutally put down by the populace through such measures as the lynching of the Archbishop of Pisa and the death of the Pazzi family members who were involved.
In the aftermath of the Pazzi Conspiracy and the punishment of Pope Sixtus IV's supporters, the Medici and Florence suffered from the wrath of the Holy See, which seized all the Medici assets Sixtus could find, excommunicated Lorenzo and the entire government of Florence, and ultimately put the entire Florentine city-state under interdict. When these moves had little effect, Sixtus formed a military alliance with King Ferdinand I of Naples, whose son, Alfonso, Duke of Calabria, led an invasion of the Florentine Republic, still ruled by Lorenzo.
Lorenzo rallied the citizens. However, with little support from the traditional Medici allies in Bologna and Milan (the latter being convulsed by power struggles among the Milanese ruling family, the Sforza), the war dragged on, and only diplomacy by Lorenzo, who personally traveled to Naples and became a prisoner of the king for several months, ultimately resolved the crisis. That success enabled Lorenzo to secure constitutional changes within the Florentine Republic's government, which further enhanced his own power.
Thereafter, Lorenzo, like his grandfather Cosimo de' Medici, pursued a policy of maintaining peace, balancing power between the northern Italian states, and keeping the other major European states such as France and the Holy Roman Empire's Habsburg rulers out of Italy. Lorenzo maintained good relations with Sultan Mehmed II of the Ottoman Empire, as the Florentine maritime trade with the Ottomans was a major source of wealth for the Medici.
Lorenzo's court included artists such as Piero and Antonio del Pollaiuolo, Andrea del Verrocchio, Leonardo da Vinci, Sandro Botticelli, Domenico Ghirlandaio and Michelangelo Buonarroti, who were instrumental in achieving the 15th-century Renaissance. Although Lorenzo did not commission many works himself, he helped these artists to secure commissions from other patrons. Michelangelo lived with Lorenzo and his family for five years, dining at the family table and participating in discussions led by Marsilio Ficino.
Lorenzo himself was an artist, writing poetry in his native Tuscan. In his poetry he celebrates life while, particularly in his later works, acknowledging with melancholy the fragility and instability of the human condition. Love, feasts and light dominate his verse.
Cosimo had started the collection of books that became the Medici Library (also called the Laurentian Library), and Lorenzo expanded it. Lorenzo's agents retrieved from the East large numbers of classical works, and he employed a large workshop to copy his books and disseminate their content across Europe. He supported the development of humanism through his circle of scholarly friends including the philosophers Marsilio Ficino, Poliziano and Giovanni Pico della Mirandola. They studied Greek philosophers and attempted to merge the ideas of Plato with Christianity.
Apart from a personal interest, Lorenzo also used the Florentine scene of fine arts for his diplomatic efforts. An example includes the commission of Ghirlandaio, Botticelli, Pietro Perugino and Cosimo Rosselli to Rome to paint murals in the Sistine Chapel, a move that has been interpreted as sealing the alliance between Lorenzo and Pope Sixtus IV.
In 1471, Lorenzo calculated that since 1434 his family had spent some 663,000 florins (about US$460 million today) on charity, buildings and taxes. He wrote,
"I do not regret this for though many would consider it better to have a part of that sum in their purse, I consider it to have been a great honour to our state, and I think the money was well-expended and I am well-pleased."